A Quote by Lydia Millet

The male domination and chauvinism of the comics form is either being wittily lampooned in 'Watchmen' or handily perpetuated, depending on whom you ask. — © Lydia Millet
The male domination and chauvinism of the comics form is either being wittily lampooned in 'Watchmen' or handily perpetuated, depending on whom you ask.
It took Marvel Comics years to begin to put together any worthwhile superheroines. The first crop was, to a gal, embarrassingly disappointing. They had all the measly powers that fifties and sixties male chauvinism could contrive to bestow on a superwoman.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
Sexism is the foundation on which all tyranny is built. Every social form of hierarchy and abuse is modeled on male-over-female domination.
Yes. The original argument is defective. Substitute the word 'male' for 'gay,' and you'll see the flaw: 'Male people cannot be normal. If everyone were male starting tomorrow, the human race would die out, so being male cannot be nature's intended way.' Or you could substitute the word 'female.' In either case, the argument makes no sense: Being male or female is perfectly normal.
Male chauvinism is . . . a shrewd method of extracting the maximum of work for the minimum of compensation.
'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.
Sexism has always been a political stance mediating social domination, enabling white men and black men to share a common sensibility about sex roles and the importance of male domination.
I tend to bristle at people praising alt comics as some kind of perfect comics paradigm, because there's quite a lot of misogyny in its history as well. Like, in my first comics class, every single great comic creator we studied was male.
We were always drawing comics as kids. My brother Charles made me draw comics. I was very much under his domination. He was actually a much stronger artistic visionary than I was.
There are 10-20 times more male comics than female comics; it's something to do with the social structure of society.
If Black women stand strong and our commitment is to ending domination I know that I'm supporting Black males, Black children male and female Black elderly because the bottom line is the struggle to end domination in all its forms.
It's not easy to convey to someone who doesn't read comics just how Alan Moore has dominated the field since 'Watchmen.'
Here's what I wish people wouldn't ask me: "Who are your influences?" That's a boring question. It's not even like, "What's it like to be a woman in comedy?" That question also happens often in interviews, but I at least understand where it's coming from. "Who are your influences" - I wonder if people ask that of male comics? Maybe they do.
Reviewing the literature on love I noticed how few writers, male or female, talk about the impact of patriarchy, the way in which male domination of women and children stands in the ways of love.
The wisdom of the masses is not always wise. You could put a lot of things to a vote-you could have put anti-miscegenation laws to a vote, and that would have passed pretty handily. Either all people are created equal-or they're not. You're either buying into the original premise of America-or you're not.
There is a genocide that is taking place among black men, in particular young black men, but it is not a genocide being perpetuated by white cops, by the Nazis, or by the Klan. Unfortunately and tragically, it is being perpetuated by other young black men.
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