A Quote by Lidia Yuknavitch
If I hadn't spent a big chunk of time in academia I might not have the depth of consciousness I do about ideas like that. I might think, for instance, that Freud was no big deal in terms of the shape of social organization then or now. I might think that the discourses of politics and law are real and stable and fair.
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People think that alien spaceships would be solid and made of metal and have lights all over them and move slowly through the sky because that is how we would build a spaceship if we were able to build one that big. But aliens, if they exist, would probably be very different from us. They might look like big slugs, or be flat like reflections. Or they might be bigger than planets. Or they might not have bodies at all. They might just be information, like in a computer. And their spaceships might look like clouds, or be made up of unconnected objects like dust or leaves.
You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
I think when we think about the judgment of someone who might want World War III, we might think about someone who might shut down a bridge because they don't like their friends.
I'll tell you one big misconception. Cops never say 'Freeze!' It might be misinterpreted. They might think you were, like, ordering fries. Or that you had fleas.
Most people have a concentration in particular areas; it might be politics, it might be science, it might be business, it might be sports. I care about all of those, and that's why I've chosen the formats I chose.
I think people might think, oh, I don't want to approach the big famous author because it's embarrassing, but then they think for two seconds about it and realize, this is, like, a toilet bowl reader.
If I wasn't rapping about politics, then I might have been just another person trying to sell albums, and I might have sounded like everyone else out there.
Any call that jeopardizes a big chunk of your chip stack just because you think your opponent might be on a bluff is flat-out wrong.
I don't think I care about the hair as much as people think I do. It's just kind of there. It's not really a big deal to me. It actually drives me nuts. It's always in my face if I don't have a hat on. I might have to get rid of it.
As a citizen I might be well-behaved and have nothing salacious or radical about me, I might be a total bore, but I might suffer somehow if other people are being spied on and blocked from doing important work that might have a collective benefit down the road. The personal doesn't necessarily translate to the social.
Oh, I think there are a lot of people who would be buying and selling online today that go up there and they get the information, but then when it comes time to type in their credit card they think twice because they're not sure about how that might get out and what that might mean for them.
I think it's good to have a balance. Everything I write about, it's not something I necessarily might have went through, there's songs where I might have an idea, sometimes it might be a melody or something that I like, I make up a story to go with that melody. But I do think it's most important to have honest songs.
I think I identify more with the smart guy, but most people might take umbrage at that. I like to think of myself as a real thinker, but I suppose people might beg to differ.
Your regional newspaper, and I like to use this example, in your local museum buys a Picasso, that's news especially if they've spent $10 million for it. But if you don't have a credit on your staff then you don't have anybody who's confident to say whether or not it was a good Picasso, might even be aware of the fact that there are bad Picassos. Arts journalists who don't have the experience of criticism, the skill of criticism, don't think in terms of critical evaluation are not going to be as good a journalist as they might be.
A chair, it's like a sculpture. It starts as a thought and then becomes an idea, something I might think about for years. When the time is right, I express it on paper, usually as a simple line in space. Finally, it takes shape.
How readily we wish time spent revoked, that we might try the ground again where once--through inexperience, as we now perceive--we missed that happiness we might have found!
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