A Quote by Liz Goldwyn
In L.A., retro culture is just part of the thing you do. When we were kids, we didn't have allowances, and it was not cool to wear designer clothes. So it meant that we were into 1920s dresses when we were 13.
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God never meant that people were to wear clothes. He meant we were to be nude. But we were in a state of innocence. Then sin came into the human race and became a blood poisoning.
Viking women, if they were left behind, were ruling their town. They were earls in their own right; they owned land in their own right. They could divorce their husbands if they wanted to. All of those wonderful allowances that were made for women in the Viking culture weren't really part of the Christian culture at the time.
Rich kids gave us their old clothes. They were the best clothes we ever had. We were these very pure, naive, poor children. The rich kids called us a lot of names but it never bothered us because we didn't know what the words meant.
I was very aware of the fact that I was a young designer, and I didn't want to fall into the trap of 'mother of the bride' dressing and 'occasion-wear.' I wanted to make sure that girls my age were wearing it and that there was a cool factor to my clothes.
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
If you were a nerd computer geek in 1982, the amount of isolation you felt - at least what I experienced, or the kids I knew, the isolation they felt - was almost total. They were not part of society; no one thought they were cool.
It's always a really great feeling when I talk to people who watched 'Jett Jackson' because we were the same age. We were all kids. I was 13 when I started working on that show, and that was part of my childhood.
Even when we had new clothes, we were told not to wear them. You just didn't draw attention to yourself. Showing off was the worst thing you could do. We could put the clothes in the drawers - but not wear them.
I have pictures of my grandmother from the 1920s and '30s in avant-garde dresses that looked like they could have come from the House of Worth or Lucien Lelong. She would never say if they were couture, but I do recall her telling me, 'All my clothes and shoes came from Paris.'
I've come to realize how much it really was a part of my upbringing, the Georgia part. We were away from town. It was just dirt and trees and spouses. And a lot of kids - my cousins, who were all like brothers and sisters to me - just a lot of kids at one time.
...you found you were saying yes when you meant no, and “We’ve got to be together in this thing” when you meant the very opposite ... and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. And how could anyone else be blamed for that?
It's a weird thing. Reservations were meant to be prisons, you know? Indians were supposed to move onto reservations and die. We were supposed to disappear. But somehow or another, Indians have forgotten the reservations were meant to be death camps.
Once befriended, our shadow becomes a divine map that-when properly read and followed-reconn ects us to the life we were meant to live, the people we were meant to be, and the contributions we were meant to give.
I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
I always took a great interest in my clothes. My sister, who was 13 months older, and I always dressed alike, but as I got a little bit older, I didn't like that because I wanted to dress differently. So our mother would put Patty in blue and Polly in pink, or we would wear complementary colors, but the shapes we were wearing were always the same, and I was very interested in that. I also took great interest in my dolls and their clothes.
I think writers just can't come up with any new words for what we're doing, because we're not 'retro-' anything. Like, in 'Gold and a Pager,' we're not talking about what was current - pagers were cool to us, but they never stopped being cool; people just stopped using them.
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