A Quote by Liz Prince
I exist in the zine/small press community, which has always felt more even keel to me, when it comes to creators of varied gender backgrounds. But I also think that there is something to be said about the fact that even though I am female, I present closer to male in my way of dress and attitude/confidence/outspokeness, so I am treated differently by my male counterparts in a positive way.
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the way in which a faith community shapes language about God implicity represents what it takes to be the highest good, the profoundest truth, the most appealing beauty. ... While officially it is rightly and consistently said that God is spirit and so beyond identification with either male or female sex, yet the daily language of preaching, worship, catechesis, and instruction conveys a different message: God is male, or at least more like a man than a woman, or at least more fittingly addressed as male than as female.
I was assigned male at birth, is the way I like to put it, because I think... we're born who we are... and the gender thing is something someone imposes on you. And so, I was assigned male at birth, but I always felt like I was a girl.
The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.
It's super-essential. Even though I don't have a very big team, for me, the word muse may be démodé or not. I adore it, but I am also one, in my delirium, to be quite classical. For a designer - especially a male designer - he absolutely has to have that female voice by his side, which he listens to, he filters, he digests. It's a huge need, because when you see through the eyes of a man, you see a woman a certain way, and how they have little tricks of their own.
It gets frustrating when my male counterparts are questioned about their game or performance, whereas I am fielding questions on gender stereotypes and my ability to stay committed to the game on account of my gender.
I have male friends. I'm the type of girl that always had male friends, more male friends than female friends. So just because you see me with the person doesn't mean that I'm kicking it with them, hanging out with them, or we're romantically involved in any way, shape or form.
I don't think in a male or female way. I don't differentiate between male and female. I never have. I'm not considered a feminist.
The transgender movement even divides itself up by gender, as many folks stick with their same trans-genders (female-to-male or male-to-female). Additionally, the movement gets strangely subdivided among, for example, male cross-dressers, sissy boys, butch women, femme dykes, drag kings, drag queens, transvestites, intersexed, transsexuals (post-op, pre-op, and non-op).
The way I see things is that, I think that transgender people are super brave. If you're a female to male, male to female, if you're that brave to take control of your own body and make it however you want it to be, more power to you.
A female's career as an actor is very different from a male's career as an actor. That's just the way it is. So, I'm fascinated by really strong male careers that have inspired me, and also really incredible male roles.
I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.
I am not somebody who goes around saying men are superior or that male writers are superior. In fact, I really go out of my way to champion women's work that I think is not getting enough attention. None of that is ever enough. Because a villain is needed. It's like there's no way to make myself not male.
For me, the banner that I want to wave in terms of giving a jump start to writers of any gender is just to make female protagonists as complex as their male counterparts.
We don't have a clue what it is to be male or female, or if there are intermediate genders. Male and female might be fields which overlap into androgyny or different kinds of sexual desires. But because we live in a Western, patriarchal world, we have very little chance of exploring these gender possibilities.
The human animal ... is ... neither male nor female ... And if I am allowed to jest a little in passing, I have a joke that is not altogether irrelevant: nothing resembles a male cat on the windowsill more than a female cat.
I think there have always been male writers, female writers. As a reader, I never picked up a book and said, 'Oh, I can't read this - it's about a male,' and set it back down.
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