A Quote by Liz Truss
Election campaigns always have to have colour and excitement and interest. People want to know about the details of politicians, what they like doing in their spare time, about their families. I think that's human.
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Nature is full of drama. I know nothing about biology, about birds, about insects, about the details of politics. I just make movies about human interest stories.
You know how some people get worked up about things? That's a very human thing to do. Sometimes, I don't know - like, I feel like I don't want to waste my energy doing stuff like that. I think about this on the court, too.
Representative government has broken down. Our politicians represent not the people who vote for them but the commercial interests who finance their election campaigns. We have the best politicians that money can buy.
The Democrats are still not being honest with themselves about what happened to them. You know, a lot of people voted for Donald Trump knowing full well what the baggage was. They didn't care. The Trump election was, in fact, about issues. It was dead-set on issues, and this is what the media refuses to understand. They know it; they just don't want to believe it, and they don't want to acknowledge it. They think that it was an election about Hillary Clinton being a rotten candidate.
I know Donald's [Trump] trying very hard to plant doubts about it, but I hope the people out there understand: This election's really up to you. It's not about us so much as it is about you and your families and the kind of country and future you want. So I sure hope you will get out and vote as though your future depended on it, because I think it does.
Ask most kids about details about Auschwitz or about how the American Indians were assassinated as a people and they don't know anything about it. They don't want to know anything. Most people just want their beer or their soap opera or their lullaby.
Politicians must let voters know what they think about issues before the election. Judges should not.
Remember, at the end of the day [election] campaigns are always about the candidates.
If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!"
I think good campaigns generally, but I think particularly presidential campaigns, they're about the voters, and they're about the future. And I think it's hard to be a successful candidate who talks about the future who isn't hopeful, who isn't optimistic, and doesn't offer a vision, right?
Election time is when you start to hear about 'average people,' 'working families,' 'patriotic Americans' and such.
I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there.
There was something really wonderful about being able to feel confident about doing my first exhibition in China, that people would have no trouble recognising the images and understanding my work. I also have a lot of freedom in the way I use colour, and I think that kind of freedom in colour is also understandable in every culture.
Just draw 'cause you love it, you know, I think that's why you should be doing it. You should always be doing art for the right reasons, um, and with the best intentions. Anything at all is completely possible and I think that's what I like about drawing. I think it's just really fun. You can do anything you want. And that's part of, like, what's really enjoyable about it... is kind of losing yourself in it.
In Washington, politicians worry about their 'base.' About polls. About ideology. About raising money. About re-election. They measure their future in two- or six-year increments.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
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