A Quote by Lisa Kennedy Montgomery

I have nothing wrong with comics and writers poking fun at the President, as long as it's funny. When it's the same retread jokes with predictable punchlines, that's when it's offensive.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
Real racist jokes or sexist jokes aren't funny - not because they're offensive, but because they're not true. As soon as a joke is based on an untruth, it's not funny.
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
Eddie Murphy said once in an interview that nothing is offensive if it's funny. I sort of agree with that, but if something's funny and you're the subject of it, sometimes it's more offensive. If someone's insulting you, you want them to sound like an idiot.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
I don't like long jokes. I like stories rather than setup punchlines.
Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.
Poking fun at other people's beliefs, while it may seem frivolous and offensive, is a non-negotiable right. It is a principle that underpins free speech, the basis for progress.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.
If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
Some comics have long routines to get them in the mood - I just prefer to sit down, write out the same jokes in a different order and then have a little prayer that I won't be met by silence.
As far as my personality, my friends and family know I'm crazy! I love to have fun; I'm bubbly. People say I'm funny but I don't know that I'm funny: I don't try to be funny and tell jokes and stuff like that, but I always got something slick to say.
The misconception is that standup comics are always on. I don't know any really funny comics that are annoying and constantly trying to be funny all the time.
People who like my stuff and know what my agenda is have never mistaken me for being racist or poking fun at the wrong thing.
I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?
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