A Quote by Lisa Kleypas

Oh, Daisy, it's revolting the way I want to fawn all over him. I'm afraid I'm going to do something dreadfully silly today. Burst into song or something. For God's sake, don't let me.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
Because I trust in the ever-changing climate of the heart. (At least, today I feel that way.) I think it is necessary to have many experiences for the sake of feeling something; for the sake of being challenged, and for the sake of being expressive, to offer something to someone else, to learn what we are capable of.
I said, I know why you’re afraid to fight with me.” "And why is that?” If he flexed again, I’d have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes. "You want me.” Oh boy. "You can’t resist my subtle charm, so you’re afraid you’re going to make a spectacle out of yourself.” "You know what? Don’t talk to me.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
In the dead silence, all the details suddenly fell into place for me with a burst of intuition. Something Edward didn't want me to know. Something that Jacob wouldn't have kept from me.... It was never going to end, was it?
My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
I examine it [pain] every which way. Why do I really feel this way? What's going on here? I have to really explore it all the way out, drill it down to its lowest common denominator and go, Oh! That's what that is. I'm feeling insecure. Or, Oh! God has something better for me.
Without you hearing a melody or music or anything like that, it would say something to you. So, that's what a song is to me. Now, you have a lot of songs that come out, and the beat carries them over there, because of the beat, and because of some other factors and so on and so forth. But I want mine to be a song, if you read it, it's going to mean something to you.
When I pray, I never pray for myself, always for others, or else I hold a silly, naive, or deadly serious dialogue with what is deepest inside me, which for the sake of convenience I call God. Praying to God for something for yourself strikes me as being too childish for words. To pray for another's well-being is something I find childish as well; one should only pray that another should have enough strength to shoulder his burden. If you do that, you lend him some of your own strength.
Looking back, the only person that really surprised me was Chris Vrenna only because I've known him since 1992, and for him not to be able to say it to my face, "Hey, I don't want to do this anymore." Instead, he said "I'll see you tomorrow" and then he never came back. I find that strange. I don't know if he is afraid of me or thinks I'm going to beat him over the head with something. I'm not like that.
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
The media isn't only asleep; it doesn't want to know the news, that the people are revolting, in the very best sense of the term, revolting against the thieves in high places and reaching out to each other, which is our great strength. When you can draw that many people, you've got something going. You don't have to worry if the guys in suits are going to put it on the front page or not.
Do not be afriad! I can see that Americans are not afraid. They are not afraid of the sun, they are not afraid of the wind, they are not afraid of 'today'. They are, generally speaking, brave, good people. And so I say to you today, always be brave. Do not be afraid. Do not be afraid. God is with you. Do not be afraid to search for God-then you will truly be the land of the free, the home of the brave. God Bless America.
A lot of times, you finish a movie, and you're either going, 'Oh, thank God, that's over,' or 'Oh, my God, it's over, and I don't want it to end.'
I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.
I've had many songs where I've gone, 'Oh, my God, this song is going to be huge!' but it wasn't the right artist, or something just didn't happen. It didn't make the song any worse. It just didn't line up. That does happen.
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