A Quote by Lisa Kleypas

Anyone who had ever read a novel knew that governesses were supposed to be meek and downtrodden. — © Lisa Kleypas
Anyone who had ever read a novel knew that governesses were supposed to be meek and downtrodden.
I remember one letter from a girl in a midwestern town who read one of my books and thought she had discovered it- that no one had ever read it or knew about it. Then one day in her local library she found cards for one or two of my other books. They were full of names- the books were borrowed all the time. She resented this a bit and then walked around the town looking in everybody's face and wondering if they were the ones who were reading my books. That is someone I write for.
It was 1981. I was working on a novel. And I put that novel aside one day after I read a newspaper article. The story said there were 19 women still on the pension payroll who were Confederate war widows. They were women who very early in their lives had married very old men.
To read a novel requires a certain amount of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel, really.
To read a novel requires a certain kind of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel really.
I knew how to read box scores and who the baseball heroes were before I had ever seen or even heard much of a game.
He had read books, newspapers and magazines. He knew that if you ran away you sometimes met bad people who did bad things to you; but he had also read fairy tales, so he knew that there were kind people out there, side by side with the monsters.
If you want meaning, you read poetry or a novel or something, you don't read song lyrics. You're supposed to listen to them with music.
The Jewish background is not that far from the black groove. Blacks are downtrodden, Jews are downtrodden, therefore they have something in common in that affliction. Being downtrodden often makes one more empathetic and sympathetic.
The first time I read Marx, all I knew was he had given rise to this [Soviet] system that was supposed to be more or less the devil's work. It's disconcerting to read what he had to say and see that a lot of it was very human and very decent and didn't seem to be the work of the devil at all.
With the first novel, I had to tell myself, 'No one is ever going to read it, so you might as well just write it.' With the second, I was pretty sure someone was going to read it.
I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel. I told him that I had recently read a novel called American Psycho,and that it was a shame that young Americans were serial murderers.
I had the fortune or misfortune to learn how to read fluently starting at the age of three. So I had read maybe 150 books by the time I hit 1st grade. And I already knew that the teachers were lying to me.
I'd lose weight if I was an actress and had to play a role where you're supposed to be 40 lbs lighter, but weight has nothing to do with my career. Even when I was signing a contract, most of the industry knew if anyone ever dared say lose weight to me, they wouldn't be working with me.
I've never had time to read. But no one ever kept me from finishing a novel I loved.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
I knew there was a way out. I knew there was another kind of life because I had read about it. I knew there were other places, and there was another way of being.
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