A Quote by Lisa Tuttle
The 1970s were so wonderful for women writers. There were all these women, and they were seen as doing the most interesting, innovative and exciting stuff in science fiction. I was inspired by that.
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When I grew up, it was a time when women were just supposed to be cute and not have many opinions. My mother and her friends were quite different. They were all the most beautiful women you've ever seen ... and they were very strong women.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
There were the days when women were under contract, and they were thought of as a commodity, so they hired the best writers and a lot of them were women at the time. This was in the thirties and forties, to make product for the people who were under contract, who were their assets to the studios. But that doesn't exist anymore - and as a result, the people who are in the industry write products that interest them.
It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.
Now I'm sixty-one... sixty-two, pretty soon. It's a really interesting age. Now we have women of your age, and coming up, and all these fantastic writers, who have managed to have their children but continue with their art, their work. I think women are doing the most interesting writing right now, the most interesting art. I see everything through this lens, of women finally taking their place in the world. Their true place. And it's very, very exciting to me.
If you look back in history of the women who are most memorable and most stylish, they were never the followers of fashion. They were the ones who were unique in their style, breakers of the rules. They were authentic, genuine, original. They were not following the trends.
I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.
There are so many issues that impact women. When we talk about prison reform, for example, women were [once] sterilized in women's prisons. When they were giving birth, they were asked to sign paperwork but they weren't even completely conscious of what they were signing. That sounds like something that would never happen in America, but it was happening, not just in America, but in [California], one of the most progressive states in the United States.
When I started researching history in the 1960s, a lot of women about whom I've subsequently written were actually footnotes to history. There was a perception that women weren't important. And it's true. Women were seen historically as far inferior to men.
I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.
It's significant that four out of the five nominated comedies were run by women. That's not by accident. Women are storytellers, too. What's particularly exciting is that when it started to change, it changed very quickly, which I think indicates that women have been waiting in the wings for a long time and were ready to take storyteller center stage.
Viking women, if they were left behind, were ruling their town. They were earls in their own right; they owned land in their own right. They could divorce their husbands if they wanted to. All of those wonderful allowances that were made for women in the Viking culture weren't really part of the Christian culture at the time.
It seems like the reason that I miss the science fiction from the late '70s and '80s is that at that period, they really were doing interesting, introspective human stories that just happened to take place in science fiction settings.
My own life values were shaped in great part by my mother, who instigated women's clubs in my village. Women were able to organize and stand together. What inspired me most about their work was the power it gave them to assert their rights and the rights of their daughters, be it education or property inheritance.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
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