A Quote by Lisa Jakub

After an 18-year career, I left the film industry, not wanting to become one of those child-actor cautionary tales. — © Lisa Jakub
After an 18-year career, I left the film industry, not wanting to become one of those child-actor cautionary tales.
You can think of my films as cautionary tales, but you might even think of them as despairing tales, because at least in a cautionary tale, you have this idea that by listening to the story you can assure a better outcome. Whereas I'm not at all convinced that's the case. In fact, if anything, I'm convinced that it's the opposite.
We have seen many child actors who have gone astray. They were particular that 'Zakhm' was going to be my last film as a child actor and after that I took a six year break for education.
The director Vetri Raman proves, yet again, why Tamil film industry is a forward-thinking industry in the country today, producing gems year after year.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
When I started writing after my career as an actor, I knew that that other life in the film industry would be pulled into my writing life and that people would see me not as an author but as an actor starting to write.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
People have been modeling their lives after films for years, but the medium is somehow unsuited to moral lessons, cautionary tales or polemics of any kind.
As a child, I had no idea that I would end up in the film industry. My ambitions changed from wanting to join the army like my grandfather to taking up merchant navy as a career to running for India, and finally, investment banking while I was a student of economics honour. But during my college days, I began to get offers for modelling.
I didn't realize how limiting an R rating is. I made 'Disco' as a cautionary tale for 14- and 15-year-old girls, and those girls were not allowed to see the film by their parents.
Hollywood is a film industry, a film business. I don't approach my career in that way. I see it as 'art,' and I become involved in films that ring my bell.
There's a perception in the industry that if the actor is not working or has taken a timeout, he or she has left the film circuit.
I came to Liverpool wanting to stay here for the rest of my career. I certainly didn't want to leave after a year.
I was an English major at UCLA when I was 18, and then I left after a year to start acting. I was educating myself during that time.
'Lawrence of Arabia' is a film that anyone wanting to become an actor should watch at least six hundred times.
Even after nine flops, an actor will get his tenth film. But, if a director gives a flop after nine hits, he will not get another film. That is the way the industry functions.
I did a deal with my parents to take a year out before university at the end of 1992 to try and forge a career in motor sport. I still haven't gone. I left school at 18 and that was it.
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