A Quote by Lily Allen

When I hit a period of not being able to write music, I get up and walk away. It's pretty mean but it's true. — © Lily Allen
When I hit a period of not being able to write music, I get up and walk away. It's pretty mean but it's true.
I have to admit I've found myself doing the same things that a lot of other rock stars do or are forced to do. Which is not being able to respond to mail, not being able to keep up on current music, and I'm pretty much locked away a lot. The outside world is pretty foreign to me.
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
I take pride in the fact that I can walk away from things. My willingness to walk away has protected me, I realize that now. Being able to walk away from sessions, from poetry, from dreams of being a poetry professor.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
When you walk away from God, and you walk away from Christ, you're basically uprooting the very foundations of being. So I don't think there is an easy way to do that. Even for the guy who becomes an atheist out of it, it's messy. It ain't pretty.
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.
I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.
The way I feel about every book is this: you don't finish it, you abandon it. All of my books have in some sense failed, otherwise I wouldn't write another one. If I wrote the perfect book, I wouldn't have to write again, and I wouldn't want to. That's not true for everyone, but it's true for me. I could walk away then. But so far I haven't managed to do it.
Our guest likes the convenience of being able of drive up to the store and not necessarily walk through a mall to find Ulta. This kind of shopping has been trending for some period of time.
I'm urging all women, I ask them the first time men hit you, please walk away. There is help out there. There are a lot of places that you can go and get help. That's the first step to your freedom and to your life is to walk away.
I'm pretty hardcore. I stick exactly to what I'm doing. So I write a novel in one period, and then I'll write stories in another period. I only work on one thing at once, because I'm afraid that I wouldn't finish what I'd started.
I went from being just a kid to all of a sudden not being able to walk a block without a man waggling his tongue through his fingers, which is disgusting. I mean, I was 13 and suddenly I'm trying to see myself through the eyes of men, trying to figure out why I'm getting this reaction from them versus just being able to walk through the world whole.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
I was really impressed with and excited about being immersed in this world and this time period with 'Fences,' being able to walk the neighborhood, and it looks exactly like the 1950s.
The songs that I'm able to write are the songs I'm able to write, whatever they may be. The path I've cut for myself is pop music - love-y pop music. That's what I enjoy doing. And I don't think I'm going to get sick of it anytime soon.
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