A Quote by Lili Taylor
Cannes is a very strange place. I tried to show up as best I could and to try not to be cynical.
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You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.
Some people might have different ideas about what progress looks like, and some are cynical and place their short-term political interests ahead of what is good for our country. But many of them aren't cynical and try hard to do their best.
I tried to do a puppet show on the streets, and I wasn't a very good street performer. But I found that I could stand in one place in Central Park and bounce a soap bubble on my arm, and I didn't have to gather a crowd for the puppet show. I had a crowd.
I think I know that I deserve better. And so I try for better. I'm never so put off that I would ever walk out of a place not having tried the best I could.
It's a strange thing that we're actors, and we're always playing a character, and then suddenly we're at a place like Cannes, and we're getting photographed as ourselves, and you're like, 'What do you do?'
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don't make it. So I tried to make it more refined. I tried to find images, allegorical images, that I could use to express things that I didn't want to say or didn't want to show or I was not able to find how to show.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
If I'd been on the Remain side I would have tried to have seen the best in Europe and tried to explain that. Instead, what they've done is endlessly try and talk up what they see as the weaknesses of Britain and they aren't there. That's a total mistake.
One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.
I remember laughing when we made those slogans up [about abortion]. . . . We were looking for some sexy, catchy slogans to capture public opinion. They were very cynical slogans then, just as all of these slogans today are very, very cynical.
I can't put on an act, so I try to be one of the best fighters so at least I get paid. Let's say Michael Bisping, he wasn't that great. He was losing, winning, but he was making a lot of money, and that was because he was outspoken and from the U.K. But not everyone can be like that. So, I tried to be the best I could.
While I did a lot of research, I ended up feeling that the best way to write about grief was to describe it from the inside out - the show the strange intensities that come along with it, the peculiar thoughts, the longing for that past - all the strange moments of thinking you glimpse the dead person on the street, or in your dreams.
Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.
Since then, my approach to all things spiritual is rather cynical you could say. When somebody present something to me as spiritual, my first instinct is to be cynical and think, "oh yeah, one of those again." You see so much of it see in "spiritual culture" and people get very excited about it. It's all very "hoo haw."
I'm from New York. I grew up there. I grew up in Westchester County, the suburbs. For me, that was always the best of both worlds. I was super lucky to have a place where I could pretty much practice drums unperturbed. Obviously there were neighbor's complaints, but not very often, and I could get to the city easily by myself or with my parents.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
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