A Quote by Lili Wilkinson
I think that sometimes the whole larger-than-life gay thing is just another kind of closet. It's easier to be different if you're very different, if you go all-out on purpose. Because that way you can still hide who you really are.
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Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].
I think the first thing I thought when I got out to L.A. was just: Oh, if I want to act, I have to find a different way to go about it because the parts for girls are as dispiriting as the banking jobs. You have to really be willing to invent, I guess, a different path for yourself.
I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.
I've always believed about brands and media that the mistake sometimes that's made is to think you're just going to take what you've been doing and kind of re-purpose it into the new platform. I don't think that ever works because consumers look for different experiences in different media formats.
Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.
On the whole, I now see my work as being an expression of my spiritual life and, because I look at it that way, I have a different centre. I go through the stress and pressure, but I think I'm lucky because I come from a different source point.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I've been in a lot of different factions my whole career, and all the guys who made up those factions are different performers. For example, if you look at the Undisputed Era as a whole, I'm very different than Roderick Strong, who's very different from Kyle O'Reilly, who's very different from Bobby Fish.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
I think it's always when you go to caddie for another player, it's no different to when you start with a new player. The very most important thing is when you get the first opportunity to have a win is to try and show them that you know what you're doing. It's easier said than done.
I've had really a great choice of roles that have been very different from one another. And I think I kind of set out to do that when I began my career - to aim to never play the same thing twice.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
That's what I love doing - understanding another person's perspective that's really different from mine. To me, it's like an emotional puzzle, trying to figure out the humanity of a character who is very different from myself and why they think the way they do.
I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
Every person my size has a different life, a different history. Different ways of dealing with it. Just because I'm seemingly O.K. with it, I can't preach how to be O.K. with it. I don't think I still am O.K. with it. There's days when I'm not.
The great thing I like about the sci-fi genre is there's a lot of different latitude for a lot of different kinds of behavior. You can be a very larger-than-life villain, or a very naturalistic villain, and all of it seems to fit.
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