A Quote by Lin-Manuel Miranda
People who don't like musicals like, 'why are they singing? Why aren't they just talking? If you make the lyric feel really conversational, it's much easier for them to bridge that gap.
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When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
I don't really love to perform in music. Some people like it more, but it's not my thing so much, but just the writing, when you get the lyric, and the lyric just goes just the right way, or you find the right bridge that takes you to the solo, and those moments are tremendous, and it's difficult to portray.
I just like playing music and doing it with people that I care about. It doesn't really matter where. It's like, 'Why don't we just play piano in a small bar? Why do we want to make an arena full of people happy?'
I am a nonbeliever myself. But I think there's so much about religion that is not factual in nature as to why people engage with it and what it means to them. You can debunk why you think there's no physical evidence for God and why the story of Jesus didn't really happen that way and stuff like that all the live-long day, and it's not going to make a difference to what role religion has in people's lives and how they feel about it and how it makes their lives better or worse.
People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.
I always tell people is really make sure you know why you want to do it. For me, I didnt make a conscious decision like "Oh I want to be a singer", it was like I grew up around it, I was singing because it was just natural for me to sing.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
I have a simple rule: when I'm on TV, I'm not talking to just my anchor or my colleague on my right. I'm talking to America. I look into the lens, and in my head, I'm talking to somebody in Nebraska. Why Nebraska? Why the Cornhusker State? I have no idea. But it feels like it's a good place to talk to people.
Email is a mind-killer. Like, I really think getting a smartphone is the worst move I ever did in being a musician because while we've just been talking my phone's vibrated like 15 times and I only get push notifications for like two apps, so either like a bunch of houses are going up for sale right now or someone's like, "Why aren't you emailing me back?" It's just hard to stay in the moment. I can understand why people go to retreats to write and stuff like that but I don't have the time.
Yeah, people seem to really relate to it and feel moved by it. It's been the most positively received of all my movies so far. I don't know why. I like it just as much as I like my others, but people think this one is the best or the most interesting. I'll take it, though. I wouldn't want them to be saying my films are getting worse.
There was other stuff, too, like how something can be so much more than the parts it took to make it, and why people need things around them that lift them above their lives and make them feel the miracle of living.
If you are a woman, you might feel torn between logical agreement and emotional resistance. Why? It seems like a simpler solution to blame men for the pay gap than to engineer your own bridge to higher pay.
Maybe that's why people have friends at all. Not because they like them so much but because they don't make them feel so much worse.
Why do people want everyone to act just like they do? Talk like they do. Look like they do. Act like they do. And if you don't— If you don't, people make the assumption that you do not FEEL what they feel. And then they make the assumption— That you must not feel anything at all.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this.
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