A Quote by Lynda Carter

I think that people like to put you down to one line - a synopis of some kind. And I just don't pay any attention to it. — © Lynda Carter
I think that people like to put you down to one line - a synopis of some kind. And I just don't pay any attention to it.
Some people kind of get lost in what everyone else is doing and not pay attention to themselves, and I think I'm one where I pay attention to myself and can set the example for the people coming up.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
Pay attention to your friends; pay attention to that cousin that jumps up on the picnic table at the family reunion and goes a little too 'nutty,' you know what I mean? Pay attention to that aunt that's down in the basement that never comes upstairs. We have to pay attention to our friends, pay attention to your family, and offer a hand.
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
People are mostly focused on defending the computers on the Internet, and there's been surprisingly little attention to defending the Internet itself as a communications medium. And I think we probably do need to pay some more attention to that, because it's actually kind of fragile.
I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
All around me, I saw people who were taught by their parents, as I was, to just toe the line, not ruffle the feathers, not rock the boat too much and just put your head down, do your work and that's it. And I think that as a community, we're reaching the limitations of that kind of thinking.
I think bubbles are things people see with 20/20 hindsight. If you look at any particular period where prices go up and then they go down, you will always find people who predicted that they would go down. Those are the people you pay attention to.
I'm trying to cause people to be interested in the particulars of their lives because I think that's one thing literature can do for us. It can say to us: pay attention. Pay closer attention. Pay stricter attention to what you say to your son.
To discover what you really believe, pay attention to the way you act -- and to what you do when things don't go the way you think they should. Pay attention to what you value. Pay attention to how and on what you spend your time. Your money. And pay attention to the way you eat.
I wouldn't be so bold as to say that what we're doing is what sets us apart from everyone, I think that's for everyone else to decide. You're walking the thin line by saying something like that and we don't try and pay attention to what's popular right now. The second you do that you're just going to start sounding like other people and you're going to lose sigh of who you are.
Drag is great way to get people to pay attention to me, but it's a difficult way to get people to take me seriously as a musician. So it's a weird Catch-22. It's like a gimmick that gets them to pay attention, but when they see my image, they're like, 'There's no way this is going to have any legitimacy to it.'
I don't pay any attention to records. I don't want pressure. I just want to get to that line.
When you think of me as a football player, I would like for people to think that I put it on the line every time. Good or bad, win or lose, I put it on the line.
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