A Quote by Lynn Collins

I feel like part of your job as an actor is you're going to get noticed, and the more successful you get, the more noticed you are. It's kind of like a Catch-22. — © Lynn Collins
I feel like part of your job as an actor is you're going to get noticed, and the more successful you get, the more noticed you are. It's kind of like a Catch-22.
It's kind of a Catch-22. The more successful you get, the less normal you get.
If you do every job like you're going to do it for the rest of your life, that's when you get noticed.
It's kind of tough to get noticed. Sure, I can kick my leg over my head, but how do I get noticed?
I knew that the only way to get noticed would be by doing something that was not expected of me. I was sure I wouldn't get noticed if I continued to play the heroine in films like 'Chashme Baddoor.'
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
I've noticed that a lot of people do much better when all their resolutions are framed as 'Yes.' Not something like, "I'm going to give up French Fries," but something like "I'm going to eat three vegetables every day." "I'm going to hug more, kiss more, touch more." "I'm going to listen to more music." They do better when they frame things in the positive. And I think this is just part of human nature.
I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
There is what might be called a Catch-22 of hazardous occupations: The more hazardous the job, the more men; the more men, the less we care about making the job safer. The Catch-22 of hazardous occupations creates a 'glass cellar' which few women wish to enter. Women are alienated not just out of the fear of being hurt on the job, but by an atmosphere that can make a hazardous job more hazardous than it needs to be.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
If you don't get noticed, you don't have anything. You just have to be noticed, but the art is in getting noticed naturally, without screaming or without tricks.
I feel like I'm going backwards, actually, as I get older. I'm regressing. I feel more and more like a kid, which is kind of a fun feeling.
I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
We are not only gregarious animals, liking to be in sight of our fellows, but we have an innate propensity to get ourselves noticed, and noticed favorably, by our kind.
I do think, actually, one thing I noticed with Silicon Valley post-Trump is it kind of made them more politically aware, more aware that, like, business and philanthropy alone isn't going to make the world a better place.
I used to get the girl; now I get the part. In 'The Quiet American' you may have noticed I got the part and the girl. It's a milestone for me, because it's the last time I'm going to get the girl.
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