A Quote by Lynne Truss

The idea of withholding a massive secret is obviously quite exciting to some people. It is also the basis of much classic drama, of course, from Sophocles onwards. — © Lynne Truss
The idea of withholding a massive secret is obviously quite exciting to some people. It is also the basis of much classic drama, of course, from Sophocles onwards.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
We want the big stories, of course, of the great men, but there's as much drama and interest and lessons to be learned in actions that people like us take on a daily basis.
Getting out on stage and playing music for people feels great when people are cheering for you, that's obviously really exciting. But what's most exciting is the idea that we're all experiencing something that's bigger than us.
I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.
You must have the confidence to override people with more credentials than you whose cognition is impaired by incentive-caused bias or some similar psychological force that is obviously present. But there are also cases where you have to recognize that you have no wisdom to add - and that your best course is to trust some expert.
I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I'll be doing next - or even if I'm going to work.
The idea itself, the notion of what the next Tron could be, is exciting enough that it would be worth going back to do it. Obviously we hinted some things at the end of Legacy, it's kind of there for people to see what that potential is. So we just want to make sure that we have a script that delivers on that promise on an epic scale."
Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.
Being a pastor, of course, obviously people would say it (shouldn't) have done much but, boy, it sure gave me a peace I never had before. I think we struggle in life. Even people of faith struggle when things don't work out quite the way we think they should.
The biggest secret about success is that there isn't any big secret about it, or if there is, then it's a secret from me, too. The idea of searching for some secret for trading success misses the point.
There's obviously some validity to it. But I think it also points out that you obviously can do it on your own because people have been doing it long before they had the stuff.
Getting older is not nice for anyone, not for men, not for women, and even more difficult for people who depend on their physical appearance. But it's not a drama. I know some people who are much more stressed than I am. And also, I live in Europe; I think it would be much more difficult if I lived in America.
I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.
The man believes the woman's got the hidden secret. That's a rare thing. You meet lots of people, and they're all deserved of love, of course, but romantic love involves some kind of supplement: she has the secret. That's what's desired.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
When I was at the Group for Musical Research, with this idea of discovering electronic music, I quickly realized that that it was a very interesting and exciting approach to music, but I also saw that it was very intellectual and quite dogmatic.
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