A Quote by Lisette Model
They say my prints are bad, darling they should see my negatives
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A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can - that's where most of my prints end up.
I first met Michael Angel when he came to my office with a box of prints and asked me whether I thought he should make dresses from the prints.
Trump's - has great negatives, enormous negatives, a lot of people say they simply won't vote for him. So if he's gotten media, maybe it hasn't done him so much good.
[People] are looking at the politicians as being all talk, no action. They talk the big game, then they go to Washington, they look at the magnificent hallowed halls as you would say, or the beautiful vaulted ceilings and they say, "darling, I've arrived," to their loved one or their wife. They say "darling, I've arrived" and all of a sudden they become nothing.
The first song I wrote was called 'Baby Darling Darling Girl,' and you know what's funny? It went, 'Baby darling darling girl, I really love your Jheri Curl.' I thought it was tight as hell.
Prints can absolutely be investment pieces. I've seen prints from my collections from five years ago on the street now. It's totally possible. If the colors don't age and if the fabric is beautiful, then of course people should wear it year after year.
Trump's negatives are negatives that deal with his personality. People don't know yet what to make of him.
To write with taste, in the highest sense, is to write [...] so that no one commits suicide, no one despairs; to write [...] so that people understand, sympathize, see the universality of pain, and feel strengthened, if not directly encouraged to live on. If there is good to be said, the writer should say it. If there is bad to be said, he should say it in a way that reflects the truth that, though we see the evil, we choose to continue among the living. The true artist [...] gets his sense of worth and honor from his conviction that art is powerful--
Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
Does it mean this, does it mean that, that's all anybody wants to know. I'd say what any decent poet would say if anyone dared ask him to analyze his work: if you see it, darling, then it's there!
[On Bonnie Prince Charlie:] Oh, Charlie is my darling, / My darling, my darling; / Oh, Charlie is my darling, / The young Chevalier.
My affinity for beef extends into my home life, so you'll notice canvas prints of cows, a cowhide rug and prints of Smithfield meat market.
People come to me and say, 'What'll I do if I go in the water and see a shark?' You don't have to do anything. The chances of that shark attacking you in any way is so remote. The sea should be enjoyed, the animals in it. When you see a shark underwater, you should say, 'How lucky I am to see this beautiful animal in his environment!'
Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.
Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
As a filmmaker, you complete a film you have spent years obsessively making, and you know the release prints will never look quite the same; prints get scratched and dirty.
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