A Quote by Lister Sinclair

The Canadian dialect of English . . . seems roughly to be the result of applying British syntax to an American vocabulary. — © Lister Sinclair
The Canadian dialect of English . . . seems roughly to be the result of applying British syntax to an American vocabulary.
This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.
Those who prefer their English sloppy have only themselves to thank if the advertisement writer uses his mastery of the vocabulary and syntax to mislead their weak minds.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
Mr. Idris Elba is amazing! He happens to be British, but what's funny about him is that when he's speaking in his American dialect, he looks like he's a brother from the 'hood. But as soon as he brings out that English thing, I'm like, 'Woo! You look like you're from London. Oh my God!' It's like everything on him changes. He's so cool!
You can be a French Canadian or an English Canadian, but not a Canadian. We know how to live without an identity, and this is one of our marvellous resources.
I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.
I love English, though I now call it 'Anglo- American' because we no longer speak British English due to globalization and America's economic power.
The one good thing to be said about announcing yourself as a writer in the colonial Canadian fifties is that nobody told me I couldn't do it because I was a girl. They simply found the entire proposition ridiculous. Writers were dead and English, or else extremely elderly and American; they were not sixteen years old and Canadian.
For people like me, who have got their flags and wars mixed up, I think it should be pointed out that there may have been only one War of 1812, but there are four distinct versions of it - the American, the British, the Canadian, and the Native American.
You will hear people say the C-word. Except, it's a regional language: in British English, c - t has much less of an inflammatory sense than it does in North American English. You can hear someone on British TV called "a c - ting monkey" or a man being called a c - t. The particular fascination of profanity is how culturally specific it is and how it evolves.
Visit any bookshop in Europe, and the shelves are filled with English novels and non-fiction books in translation - while British bookshops stock mainly English and American works.
Some people try to say I'm British by the way I'm speaking. But I think I'm more Canadian, because I speak really slow. Midwestern and Canadian.
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to.
Dialect was my biggest fear. So, I spent a long time working with dialect coaches just trying to get American down. I think it's very important and very easy to misinterpret.
I think in Arabic at times, but when I'm writing it's all in English. And I don't try to make my English sound more Arabic, because it would be phony - I'm imagining Melanie Griffith trying to do a German accent in Shining Through. It just wouldn't work. But the language in my head is a specific kind of English. It's not exactly American, not exactly British. Because everything is filtered through me, through my experience. I'm Lebanese, but not that much. American, but not that much. Gay, but not that much. The only thing I'm sure of, really, is that I'm under 5'7".
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.
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