A Quote by Lois Lowry

In 1952, when I was 15 and living on Governors Island, which was then First Army Headquarters, I encountered the newly-published 'The Catcher in the Rye.' Of course, that book became the iconic anti-establishment novel for my generation.
I had English grammar book and started to teach myself. I read 'Catcher in Rye,' in Russian. I was amazed at freedom in 'Catcher in Rye!' Freedom to have those perceptions of life!
Often it's the latest novel that I've written that is my favourite. I'd been dreaming it for so long, living and breathing its story so that when it finally arrives as a newly published book, smelling wonderful and fresh out of the box, there is nothing like it.
'Catcher In The Rye' was my favorite book, honestly. I read it when I was thirteen, and the book was a bit of a family heirloom because it was passed down from my grandfather to my father to my older brother and then to me.
My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
'Goodnight Moon' is a staple of any nursery bookshelf. So, too, are 'Harold and the Purple Crayon' and 'Madeline.' These books are just as much a part of mainstream reading culture as 'The Catcher in the Rye,' and they are passed down from generation to generation.
My novel got published, and I became a paid writer, which was nice, and then it came out, and nobody bought it, so I became an unemployed writer again.
'Catcher in the Rye.' I feel like any brooding teen loves that book.
When I got out of the Army, I started writing the usual 'Catcher in the Rye' imitations, and then I wrote something that was done Off-Off Broadway in a theater. It was called 'What Else Is There?' and it was four or five people playing missiles in a silo waiting to take off.
A status symbol is a book. A very easy book to read is The Catcher in the Rye. Walk around with that under your arm, kids. That is status.
Any book that can help you survive the slings and arrows of adolescence is a book to love for life; 'The Catcher in the Rye' did just that, and I still do love it.
Very few teachers or leaders in my small Michigan community ever discussed the issue of 'The Catcher in the Rye,' and certainly no one came to the 1951 Novel's defense.
When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.
I never show my books to Ricky. His writing is very different, and anyway, he's only read one novel in his life: 'The Catcher in the Rye.'
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
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