A Quote by Laura Dern

Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on. — © Laura Dern
Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
I'm interested in flawed protagonists. I was raised on them.
I know in Britain with 'Doctor Who' all the classic actors, and the people who you'd really want to, work on the show. I like that the fact that 'Torchwood' has actors that want to be involved from the stage. It has raised our game, and I'm just happy for good actors who want to be in sci-fi shows who love the genre.
I love actors, and I love the casting process. It's funny, like, some writers don't like actors because, I think, they are the faces of the show, and so you feel sort of secondary, but I love actors because they elevate the material; they make it better.
Everything's cyclical. Having been raised by actors, I watched their careers, and the challenge is to take time off.
Every manager is different in one way or another, but what stays the same is coaching Barcelona players - players who want the ball, who want to be protagonists on the field - so each manager who's been here has been able to take advantage of that, and, luckily, I feel we've become more complete because of it.
I tend to always love material with flawed protagonists and morally ambiguous people.
If I had to fall in love with all the actresses I play with and live the situations I have to play, I would be lost ! I need to be solid and know who I really am to have fun in making something else. I noticed, while talking with other actors, that they often let ambiguity float. I don't like ambiguity, it's dangerous. I need distance. I also think that the result would prevent the audience from identifying to the characters. If you feel the things too strongly, you simply close the doors.
We've all been that young love, trying to impress the in-laws or having these crazy cousins that we're related to by blood - we can't choose them as sort of friends, but they're there.
Acting is not in the blood. My parents weren't actors, but I imagine that if you've been brought up with actors, you have a lovely time at home and just want that to carry on.
I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow.
We live in times that are in many ways ambiguous. Maybe that's why kids want precision in what they read - they don't like that moral ambiguity.
There's these things we do that take us into the zone - and we go in that place that I feel like is the place of love that you reach when you're in love or making love, or you're having a good conversation. I feel like that is God.
In the best stories, people are morally complex; they are flawed. We read them because the world is flawed, and we want to see it truthfully represented. And because it can be thrilling to be shocked and upset, and even to feel, for chilling moments, what it's like to be a bad person.
What sort of love is this love that we have for countries? What sort of country is it that will ever live up to our dreams? What sort of dreams were these that have been broken? Isn't the greatness of great nations directly proportionate to their ability to be ruthless, genocidal? Doesn't the height of a country's 'success' usually also mark the depths of its moral failure?
We're all flawed, and we all make mistakes, and we all have weaknesses. And those are the kind of people I want to see onscreen, the ones that feel like real flesh-and-blood human beings and not the weird, whitewashed, Hollywood stand-ins for people with the rough edges sanded off that I can't connect to because they just don't resonate with me.
I've been to Japan but I've never been to China, I'd love to go to China. I don't know, I like to go to places that are remote. So, I think I'd like to do that more. And just sort of also explore not having a structured work life someday, to have more free time to sort of see what happens.
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