A Quote by Laura Jane Grace

Trans people should be able to fall in love and sing love songs too, and have that be just as valid. You turn on the radio and every other song is some guy singing about some girl who broke his heart, or vice versa. And there's not a lot of trans representation with that.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
When we get to a point when trans folks are included in the creative process, the narrative will be much more authentic. Trans actors playing trans roles is a key part of that. But some of the trans talent is not even making it into the audition room, let's be honest.
People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.
Historically, we have seen cis men play trans women and vice versa. That casting breaks through the fourth wall, and it gives people the message that trans people are being played by cis men in real life, which is where we get this idea of men in dresses.
Having trans people play trans roles show that we are valid in our identities, and we exist.
Being able to write about love through a trans lens is something that's not really represented when it comes to love songs.
What I do now is all my dad's fault, because he bought me a guitar as a boy, for no apparent reason. ... I wrote some of my best love songs ever when I was unhappy and my saddest love songs when I was very much in love. When I wrote 'You're in My Heart', which is an uplifting song, I had just broken up with-Now who had I broken up with?. ... Half the battle is selling music, not singing it. It's the image, not what you sing.
Instead of focusing on what the law says about trans people, which is really what the law is saying about itself as a protector of trans people, we should be focused on what systems of law and administration do to trans people and our interventions should aim to dismantle harmful, violent systems such as criminal punishment and immigration enforcement.
If people want to see more representation of trans people you just have to look around, because with the explosion of digital creation, lots of trans actors and film makers have been creating their own content and it's readily available.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.
I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representations of trans folks to multiply trans narratives in the media and depict our beautiful diversities.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
I knew that I was trans when I was three years old. Well, I didn't know 'trans' because I didn't know there was a word for it, but I just knew that in my head and my heart that I was supposed to be a girl.
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