A Quote by Laura Carmichael
I've not sat with my agent going: 'Where is the next hopeless girl I can play?' They just come along.
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We're just going to come out and play. We know that we're supposed to win all the games, but if we don't, we just have to take the next game and focus on what we did wrong in the game before and just try to do better at the next game.
You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
I never said I was a 'good girl.' I'm not a bad girl. I'm just normal, and that's what I'm going to be. There's no bad girl with whips and chains that's going to come out. I think people like me because I was myself.
Men, they come and go. They always will. Hopefully, they stay. But, it’s the girl that’s sitting next to you, or the girl that’s sitting across from you, that’s going to get you through everything.
The way 'The Icarus Girl' came about was by me just basically bragging it with a literary agent and telling him I'd written 150 pages when I'd only written 20. And I think it was when the agent e-mailed me back right the very next day after sending him the 20 pages and asking to see the other 130.
In high school I just loved to compete and play sports. I didn't have a sport that I was going to say, 'Hey, I'm going to play this at the next level.' Whatever my best opportunity was was what I was going to do.
Alexander and I sat together on a backyard swing. "This is like a dream come true," Alexander said as we gently swung back and forth. "We can finally just focus on us now. Continue the traditional 'Boy meets girl, girl falls for boy, boy turns out to be a vampire' story.
My niceness has a very low threshold and that little girl just sucked it dry, so don’t push me, Olympain. I don’t want so much as a single Atlantean stone overturned. Guard it with your life because the next time I come here, that’s the price I’m going to demand for your incompetence. (ZT) Nice talking to you, ZT. I so look forward to your visits. Next time we’ll do pastries, ‘kay? (Kat)
Some games you going to play great. Some games you're not. So, it's all about moving on to the next game, next possession. Just come in there every day working, figuring out what you got to work on and see what you did wrong in either in the last game or the last season or whatever.
When it's time to play, I'm going to come play. I'm going to play the right way. I'm going to try to help my team in all directions, blocking and catching. If I don't have the ball in my hand, I'm going to protect, block down the field. I'm going to do whatever it takes to win.
You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideas come along, and I've had long dry spells. If I get an idea next week, I'll do something. If not, I won't do a damn thing.
I don't play any role; I just play golf. I love the competition. For me, the pleasure begins on Thursday morning when a tournament starts. I come along and try to win. And that's what I enjoy.
Any time you do something, you make decisions about time and space. I wanted those decisions to be out of my hands. I could be dragged, carried along by another person, I could be a receiver. I could be the agent of the overall scheme, but I didn't want to be the agent of the particular action. I could make the ultimate decision that my space is going to change now, but I don't know where it's going to go.
All the moves I've made have come after I sat down with my family and my agent and thought what was the best move. I've never rushed into something, never gone anywhere where I wasn't sure 100%.
Today there are a lot places where people say they're just hopeless. If I can come from a hopeless country, get an education, become a hyphenated American and become president of the World Bank, it's my moral duty to make sure that every single person on the planet has that opportunity.
I never went into aesthetics. Aesthetics is what philosophers have to say about art, and a lot of them take an analytics position and raise the question, "What is an art object?" As soon as you fall into that trap, an artist is going to come along and say, "That isn't art - it's something else." That's a hopeless gig.
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