A Quote by Laura Moriarty
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
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When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films. I don't think that there is any such thing as an old film; you don't say, 'I read an old book by Flaubert,' or 'I saw an old play by Moliere.'
I always found Louise Brooks interesting. She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.
Definitely my generation and beyond grew up in theaters and when you make a film you think of the theatrical experience. You think of that big screen in the darkened theater with a lot of people, so that's always the thought behind it. If that's the case, it's nice if that's available. That's great, but I don't really mind if they're watching films on a plane. I don't mind. Anybody who just wants to watch a movie, I can't complain. If that's the way they're going to watch them, that's the way they watch them. Who am I to judge?
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Yes, I saw Twilight - my granddaughter made me watch it, she said it was the greatest vampire film ever. After the 'film' was over I wanted to smack her across her head with my shoe, but I do not want a (tell-all) book called Grannie Dearest written on me when I die. So instead I gave her a DVD of Murnau's 1922 masterpiece Nosferatu and told her, 'Now that's a vampire film!' And that goes for all of you! Watch Nosferatu instead!
My first film was a big dud at the box office, and my second film did decently. I used to wonder how it would feel to have a hit film. I thought I'd be larger than life, but I'm not feeling anything I imagined. It's a completely different experience.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life.
I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.
The film I do doesn't have to be a film that only my kids can watch. My kids will watch films, but I will decide what they watch and not. My aim is to play different characters and not be stuck in a mould. Just because you are a mom and a wife doesn't meant you have to play those roles, even in films.
The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.
I think it's very touching to see young people interested in what we did a long time ago. They don't say, 'Well, I saw this old film with you.' They say: 'I saw this wonderful film. I really love it.'
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