A Quote by Lorde

I've been in some situations where people have treated me like a fascinating toy. You know, it's just like an interesting kind of fun thing to have a play with. It's very weird for me. I feel like a tiny baby.
Oh, I was sobbing, like, so bad when baby arrived. Like, I don't think people have seen a man sobbing like that. It was awful, but in the most joyful way. I mean, I was picking that baby up and putting him on me. And the baby, like, halfway opened his eyes and it just made me feel like, 'Oh my god, this is the most incredible thing.'
When people see me on TV, they become very happy because they don't have to interact with me. When they start interacting with me, they ask me questions like I'm a baby or treat me like I'm a baby and hold me like I'm a baby, and that's what they do wrong, really.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
"Repulsion" for me was a really big movie where I was like, "OK, technically there's nothing scary going on here but I'm kind of terrified." Something so tiny was devolving this whole world. I guess I've always been obsessed with what I call the "epically small" in cinema, and that's how one tiny, little weird thing can just explode everything.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
I always like playing the bad guys. They have more fun! I want a director to come up to me and say, "You can't get too weird!" That's a good thing. I loved hearing that. Let me play. I like to play around.
I feel like, you know, some people like to wear colorful stuff. Some people like to be blacked down, and some people just want to be colorful. Some people just have weird problems. I'm never going to wear a pink sweater. Some people just do it because they feel like they can do it.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
I think, like all big things, you don't know they're going to be a big thing when you start. You just kind of, like, play because it's fun, and it's interesting, and then it turns out to be way more important than you expected.
People come up to me at conventions and say, 'I was such an outcast, I felt like such a geek, and when I saw you, you made me feel like such a normal person.' It's my favorite thing to hear, because that's how I felt when I was a kid. If Goth would've been around, I would've definitely been Goth. But there wasn't such a thing, so I was just weird.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
I don't live by all these rigid, weird rules that make me feel all fenced in. I just like the way that I feel like, and that makes me feel very free.
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