A Quote by Lauren Myracle

What I find cool about being a banned author is this: I'm writing books that evoke a reaction, books that, if dropped in a lake, go down not with a whimper but a splash. — © Lauren Myracle
What I find cool about being a banned author is this: I'm writing books that evoke a reaction, books that, if dropped in a lake, go down not with a whimper but a splash.
Being an author of banned books is cool, I've decided.
Since it was announced that I had been awarded the Nobel Prize in Literature, the Chinese Foreign Ministry has condemned my works and criticized them harshly. All of my works are now banned from getting into China or being published in China. What author would want to return to a country that banned his or her books?
I'm an author. And writers write books. And writing books is a full-time career.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end.
Writing is a intensely personal activity. I can pen down my best thoughts when I'm alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.
Writing is a intensely personal activity. I can pen down my best thoughts when Im alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.
While writing books about the past, I think about the present. It's not intentional, but somehow my books end up being written under the sign of a political mood.
The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
I don't write down my experiences, but I have a very decent memory. I have tons of books in which I write down phrases as they occur to me. That's how I write songs. I'll need a line and I'll go through the books and find it, the right rhyme and everything.
I've been writing books because it's been my way of dealing with the demons. The act of sitting down and writing the books down has started healing process that's been long overdue.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?
The books that are really valuable are the books that evoke a sense of place.
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