A Quote by Lauren Mayberry

After the first album, I spent a lot of time being like, 'I'm not really a singer.' That kind of mentality doesn't help. — © Lauren Mayberry
After the first album, I spent a lot of time being like, 'I'm not really a singer.' That kind of mentality doesn't help.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
I spent a lot of time in college studying theater of the absurd and Beckett and Genet, and then I spent a lot of time after that at 'Gossip Girl' auditions, thinking, 'Wow, I really wasted my money.'
I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.
I'm a hip-hop guy, and the first time I heard Eminem was in '96. He was on a record with Shabban Siddiq. I was like, 'Who is this guy? He's dope!' First album came out: awesome. Second album came out: awesome. Third album, I was like, 'Eh.' He started to get really successful. He wasn't 'mine' anymore.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
It doesn't matter if it's cards, doesn't matter if I am racing home from dinner or something, I just want to be the first to do it. That's just kind of my mentality. That's been my mentality for a long time. It's kind of the way I was raised.
Im a hip-hop guy, and the first time I heard Eminem was in 96. He was on a record with Shabban Siddiq. I was like, Who is this guy? Hes dope! First album came out: awesome. Second album came out: awesome. Third album, I was like, Eh. He started to get really successful. He wasnt mine anymore.
Home' was a special album for very specific reasons. It is an homage to my father. And it is the first classical album I've released in over a decade. So it really felt like a kind-of coming back to my roots.
My dad gave me the 'Introducing Dionne Warwick' album when I was, like, 14. It was the first time I'd heard Burt Bacharach's songwriting and her voice, and it rocked my world. She's such a great singer and communicator. It really helped me shape my own style.
I spent a lot of time growing up in Oregon after I left California. Spent a lot of time in the woods.
The first album I was given when I was quite young was the 'Whoa, Nelly!' album by Nelly Furtado. After, I also got the 'Missundaztood' album by Pink. That's when I was like, 'Oh my God, I want to be just like them!'
That is a goal, to step out on stage and to actually be present. Honestly alive and present. Although, it doesn't always happen. We're fallible, we're imperfect. That's what a lot of books are written about; that's what a lot of religions have sought after is that kind of zen mentality of just being totally neutral and open and vulnerable to all of the forces in the universe without being attached to them.
I've spent a lot of time playing Bach partitas. One of my first jobs was to play for ballet and modern classes, so the music in 'Partita' is kind of like choreography for me.
This site uses cookies to ensure you get the best experience. More info...
Got it!