A Quote by Lauren Oliver
I start to follow her, and Alex grabs my hand. "I'll find you," he says, watching me with the eyes I remember. "I won't let you go again." I don't trust myself to speak. Instead I nod, hoping that he understands me. He squeezes my hand. "Go," he says.
Related Quotes
I'll find you," he says, watching me with the eyes I remember. "I won't let you go again
I’m Hana,” Hana says. “And this is Lena.” She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I’m too outraged to speak. He’s lying. I know he’s the one I saw yesterday, would bet my life on it. “Alex. Nice to meet you.” Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. “Lena,” he says thoughtfully. “I’ve never heard that name before.
I didn't really had a good answer, as so often -- is me. But then somebody sent me the other day, Isaiah 49:16, and you need to go home and look it up. Before you look it up, I'll tell you what it says though. It says, hey, if it was good enough for God, scribbling on the palm of his hand, it's good enough for me, for us. He says, in that passage, 'I wrote your name on the palm of my hand to remember you,' and I'm like, 'Okay, I'm in good company.'
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.
This is where we go our seperate ways. Aware of the almost feel of his hand on my arm when he pulls me back to him and says, "Yes." I look at him, unsure of what he's saying yes to. "The questions you asked earlier, about wanting to settle down, start a family, see my family? Yes. Yes to all of it." I try to swallow but can't, try to speak but the words just won't come. His hands sliding around me, grasping me to him, he lets go of the vial, allows it to fall, to crash to the ground. The sparkling green liquid seeping out all around as he says, "But mostly yes to you.
Who says, who says you're not perfect? Who says you're not worth it? Who says you're the only one that's hurting? Trust me, that's the price of beauty, who says you're not pretty? Who says you're not beautiful?... Who says?
Alex touches her arm. "You look nice." "Nice?" she repeats. "Try harder, Alex." He flushes adorably. "Really nice," he says. "Next time, try this," Harry says. He reaches for my hand. "Franny, I didn't know what beauty was until I saw you walking toward us a minute ago. "I like this better," I say, pulling away. "At least he sounded like he meant it." "I meant it," Harry says, almost irritably.
What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.
I think singing and acting go hand in hand. Take an R&B singer: one song says, 'I love you,' the next is, 'Baby, don't leave me', the next is, 'If you leave me I don't care.' You have to drop in and out of different perspectives.
A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost.
Emma, your granddad’s on the line,” says Artemis, putting her hand over the receiver. “Something about the night bus and he’ll never trust you again?
I mostly want to remind her of the recipes of healing, and give her my own made-on-the spot remedy for the easing of her pain. I tell her, “Get a pen. Stop crying so you can write this down and start working on it tonight.” My remedy is long. But the last item on the list says: “When you wake up and find yourself living someplace where there is nobody you love and trust, no community, it is time to leave town – to pack up and go (you can even go tonight). And where you need to go is any place where there are arms that can hold you, that will not let you go.
A map says to you. Read me carefully, follow me closely, doubt me not... I am the earth in the palm of your hand.
Once I passed through a populous city imprinting my brain for future use with its shows, architecture, customs, traditions, Yet now of all that city I remember only a woman I Casually met there who detained me for love of me, Day by day and night by night we were together—all else Has long been forgotten by me, I remember I say only that woman who passionately clung To me, Again we wander, we love, we separate again, Again she holds me by the hand, I must not go, I see her close beside me with silent lips sad and tremulous.
I have a sister, in particular, who's 13 years older than me. So growing up and watching her - watching her go to work, especially - was hugely influential to me. As the youngest, with a sibling that's a decade older, I had certain things that I would go to her about instead of my mother.
I'll not hurt thee, says Uncle Toby, rising with the fly in his hand. Go, he says, opening the window to let it escape. Why should I hurt thee? This world is surely wide enough to hold both thee and me.
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