A Quote by Lauren Fleshman

The Pre highlighted things I needed to tweak. I'm glad I ran there and found the things I needed to tweak and didn't find those things out here. — © Lauren Fleshman
The Pre highlighted things I needed to tweak. I'm glad I ran there and found the things I needed to tweak and didn't find those things out here.
That's one of my favorite things about Twitter: You can tweak your feed into a fabulous novelty engine. That's only one thing you can do with it, but it's one of the things I find most entertaining about it.
I fix things now and then, more often tweak HTML and make scripts to do things.
I always like to tweak things and push things forward.
I had a friend who was a plastic surgeon, so he would do little things. I never had, like, a full thing. So I would go in maybe once every two or three years, and he'd do a little here, a little there; tweak you, like you tweak your car. Then I became the plastic surgery poster girl.
The one thing I will say is management is management. Culture is culture. You have to have a formula for those things. You have to believe in what you do and how you do it, but then you go to different environments and you have to be willing to adapt. You have to be willing to tweak things based on where you are.
Things for me really started to click right after my third year in the league. I sort of figured out that there were a few things that I needed to do if I wanted to get better - I needed to gain some more weight and add some strength.
I mean, we're always trying to evaluate and tweak things and get better.
I always tell my students to write the story all the way through, not to play with the language and fall in love with sentences that you then have to cut. I actually find that really difficult to do; there's something so demoralizing about looking at a pile of not very great sentences. As I ease into writing every morning, I tweak a sentence and then tweak a paragraph.
My material never comes out verbatim every time. I always tweak in a line, or tweak away a line, gain a couple tags or lose a couple tags. The timing is always off.
It is universally appreciated, I think, that theorists are able to tweak their assumptions in order to reach any conclusion they wish. The believability of the conclusion depends not only on the fact that it was reached but on how hard the theorist had to tweak the model to get there.
I wasn't intentionally trying to create my own path or be original, it was just I needed to say certain things and I needed to express myself, and that's how it came out.
Some things are private. Some things needed to be said, even when the person who needed to hear them couldn’t hear anything. Ever again.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
Try to find if something out there is similar. If it's already being done, now you need to find out if you can do it better or cheaper. If you have a good product and no one's buying, improve it and tweak it.
If you don't feel right, you're going to try to tweak every pitch, every little thing, things that probably don't even need tweaking.
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