A Quote by Loretta Lynn

Me and my partner, Conway Twitty, cleaned up at the 1972 Country Music Association Awards. — © Loretta Lynn
Me and my partner, Conway Twitty, cleaned up at the 1972 Country Music Association Awards.
Conway Twitty was always our local hero while I was growing up. He had a series of good bands. I wanted to sit in, if Conway would let me. And he did a couple of times.
My dad was a huge country music fan, but he also had a band and he sang. So he'd listen to a lot of music and the songs that he'd learn for the band were more from the male artists. So my earliest country memories were Waylon Jennings, Conway Twitty, George Jones, Johnny Paycheck even.
One of my all-time favorite country singers is a guy named Conway Twitty.
I don't think you'd call me a traditionalist. But you can say I have an old soul, because I grew up listening to Conway Twitty and Hank Williams.
I grew up with the Grand Ole Opry, Dottie West, Conway Twitty, Buck Owens... not realizing it was influencing me as much as it was.
You might be a redneck if...the most serious loss from the earthquake was your Conway Twitty record collection.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
As far as heroes thorough the years, I’d say definitely Alabama and Randy Owen, Conway Twitty was a big influence of mine, George Strait, Lionel Richie.
As far as heroes thorough the years, I'd say definitely Alabama and Randy Owen, Conway Twitty was a big influence of mine, George Strait, Lionel Richie.
I listen to KCRW in the car and Pandora radio, which I stream through the stereo from my iPhone. I've been listening to everything from Caribou to Conway Twitty. If I'm going on a longer car ride, I'll download some podcasts.
I got to Nashville on Labor Day weekend in 1972. And the Grand Ole Opry is still there, the Country Music Hall of Fame is still there. And the roots of country music are still there. It's where the authenticity and the empowering force lies.
Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
I don't take anything for granted; awards and all that go with it are very nice, and it's nice to get a positive response, but for me, it's about the music. I don't make music to win awards. I make music for the people.
The FA Cup as a tournament was very good to me. I'd like to think I can still have some association with that because it was the Ronnie Radford goal for Hereford against Newcastle which really put me on the map in 1972.
You watch the country-music awards that they show on the television, and you see country music has reached about 1985. It's all huge processed drum sounds and chiming chorus guitars and programmed synths bobbling along in the background.
If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.
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