A Quote by Laurie R. King

When you're putting together a story, sometimes you just have to skip over the boring bits. — © Laurie R. King
When you're putting together a story, sometimes you just have to skip over the boring bits.
You can't just skip the boring parts." "Of course I can skip the boring parts." "How do you know they're boring if you don't read them?" "I can tell." "Then you can't say you've read the whole play." "I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark." "Who knows?" she said. "Maybe you can't.
My sister-in-law believes that few narratives are so tightly constructed that you can't skip boring bits and still keep abreast of what's going on.
The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.
I want to tell him that it's just a stupid car, but bits of me are scattered all over town; the graveyard, school, Cassie's room, the motel, and standing in from of the sink in my mother's kitchen. It takes too much energy to gather all the bits together, so I just sit there and watch him implode.
I've been putting together the story with Rob and putting all the details of it together and looking at all the various designs they have for the toys and stuff, it's pretty exciting.
Information is just bits of data. Knowledge is putting them together. Wisdom is transcending them.
I just love photographing things and putting them together to tell a story.
Any fool can make a quilt; and, after we had made a couple of dozen over twenty years ago, we quit the business with a conviction that nobody but a fool would spend so much time in cutting bits of dry goods into yet small bits and sewing them together again, just for the sake of making believe that they were busy at practical work.
I'd never done a straight play before, never, and it was very hard work - really, really hard work. It was dense, really wordy, and I was determined to learn every word of it - not just skip over bits and pieces.
To be honest, I didn't really understand how involved putting a fragrance together could be - or would be. Once I made the choice to actually do it, I just went for it. I just dove in and have really learned a lot about putting a scent together. It's kind of exciting.
My mom, God rest her soul - she liked nicknames. In the womb she named me Skip. There was another black guy in Piedmont, W.Va., and his name was Skip. They called him Big Skip, and I was Little Skip.
When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me.
When we remember something, we're taking bits and pieces of experience - sometimes from different times and places - and bringing it all together to construct what might feel like a recollection but is actually a construction. The process of calling it into conscious awareness can change it, and now you're storing something that's different. We all do this, for example, by inadvertently adopting a story we've heard.
There's a story everywhere. Being bored to death someplace is basically a funny proposition. What you have to watch out for is you don't write a boring story about a boring place.
I know it's such a boring interview sometimes with us at 'American Horror Story', but I just can't say a word. I would certainly love to be back, that's for sure. It's such a great job.
Skip the boring parts.
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