A Quote by Lorine Niedecker
Strange—we are always inhabiting more than one realm of existence—but they all fit in if the art is right.
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Thought is more important than art. To revere art and have no understanding of the process that forces it into existence, is finally not even to understand what art is.
Thought is more important than art....To revere art and have no understanding of the process that forces it into existence, is finally not even to understand what art is.
When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment.
A work of art is a world in itself reflecting senses and emotions of the artist's world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.
Before the tribunal of nature, a man has no more right to life than a rattlesnake; he has no more right to liberty than any wild beast; his right to the pursuit of happiness is nothing but a license to maintain the struggle for existence, if he can find within himself the powers with which to do it.
There is no right more universal and more sacred, because lying so near the root of existence, than the right of men to their own labor.
The invisible realm is superior and far more real than the visible realm.
Betrayal lived in a separate realm than sex, a realm that was far more innocent, and far more erotic.
I'm a unique person, as everyone is, but none of us has more of a right to existence or a right to specialness or uniqueness than anyone else.
The world I feel, within the realm of art, is more genuine than the wrorld of matter. Artistic feeling is not tape measures, spectrographs, or flash camera lens.
All of a sudden I'm an actor, and I spend a decade trying to fit in and realising that I didn't, really. Sometimes in the right circumstances, with the right people, it felt OK. But other times it was a bit more jobbing. I didn't fit the mould, somehow.
In creating a work of art, the psyche or soul of the artist ascends from the earthly realm into the heavenly. There, free of all images, the soul is fed in contemplation by the essences of the highest realm, knowing the permanent noumena of things. Then, satiated with this knowing, it descends again to the earthly realm. And precisely at the boundary between the two worlds, the soul’s spiritual knowledge assumes the shapes of symbolic imagery: and it is these images that make permanent the work of art. Art is thus materialized dream, separated from the ordinary consciousness of waking life.
One of the weaknesses of much abstract painting is the attempt to substitute the inventions of the intellect for a pristine imaginative conception. The inner life of a human being is a vast and varied realm and does not concern itself alone with stimulating arrangements of color, form and design. The term 'life' as used in art is something not to be held in contempt, for it applies all of its existence, and the province of art is to react to it and not to shun it. Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again be great.
I demanded a realm in which I should be both master and slave at the same time: The world of art is the only such realm.
I do preach the idea of individualism as in not adapting any kind of style or model other than that one of your own. I always found it strange in art history when studying about the different guilds and movements. It sounded too contrived and having to follow devised parameters to create art. I personally am not a team player in that manner. The art should be labeled by the artist's name only.
What’s strange is how many beginning writers seem to think that grammar is irrelevant, or that they are somehow above or beyond this subject more fit for a schoolchild than the future author of great literature.
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