A Quote by Flume
Meditation is a really powerful tool I have for life now. The only reason I know about it is because I was stressing about writing and a friend taught me it. It's been useful. Now I use it for a bunch of different situations, whether I'm stressing before a show or something in the day really pisses me off.
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Meditation is a really powerful tool I have for life now. The only reason I know about it is because I was stressing about writing and a friend taught me it. It's been useful.
I'm so adamant that being a really good parent does not mean you have to be there 24/7. I find that I'm never not thinking about where they are, but instead of it stressing me out, it comforts me to know that I'm completely aware of their schedule, and they're with someone I trust.
I used to be that crazy person that was strict about what I did and didn't eat. I was so diligent with exercise. And as soon as I stopped thinking about it, I lost weight. I wasn't stressing about it. The balance and relaxing is what's really helped me.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
I actually hear into life - seeing everything that's occurring as a conversation with God in some form. So it really is the next song on the radio - a chance utterance of a friend on the street - it really is what's happening right now. I stop and think, 'What is life trying to tell me right now?' And "What does my soul know about this?'
I got off Twitter, because I started feeling like it was not adding anything positive into my life. If anything, it was more negative. But now I'm back on it because it can be fun. I think, as an actor and a public figure, it's a different experience when you put yourself out there in that way. I think it can be a great tool, and that part I'm comfortable with. But the part that's kind of more personal, that part I'm still struggling with, because I don't really want people to know everything about me.
Even now, I still get a bit apprehensive before a game because I am worried about whether I have done enough preparation or if something is going to catch me out. But the fear factor has gone - as it should have done by now, really, after nearly 50 years.
The live show allows me to transcend myself, because it's not about me anymore. The writing process is very much about me but then the live show is not. They feel really different.
The story is a machine for empathy. In contrast to logic or reason, a story is about emotion that gets staged over a sequence of dramatic moments, so you empathize with the characters without really thinking about it too much. It is a really powerful tool for imagining yourself in other people's situations.
In my life there were a lot of situations where I could have been killed or some officer might have been killed chasing me, a lot of things could be different. Now, you know that's experience you can't buy. And it's there in my rearview mirror and I can refer to it in my writing. I have the experience to talk about things some people only imagine.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
I get really excited about collaborating because by the end of the day you have something that you never thought you'd have. I was really happy about writing "Bad News" and a bunch of other stuff on the record that came out so well.
If it isn't going to matter to you in 5 years, quit stressing about it. (Also, quit b*tching about it. It might matter when you're all alone in 5 yrs because you're annoying now.)
I've argued this with a lot of people in my life. When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, 'Don't undermine the work I've put in every day.' Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee and ask them. The answer is me -- not because it's a competition, but because that's how I prepare.
When doing comedy, I do what makes me laugh. The first person I learned from said I should talk about things I am passionate about - that I love or hate - because the audience likes to see passion. The stuff I rant and rave about stems from a place that really pisses me off.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
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