A Quote by Laurence Olivier
When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
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[May 1958, on playing Macbeth at age 30 and age 48] When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
I feel like part of the inequality is that there are few great roles written for older women, and I think part of that is, basically, people want to look at young women, whereas men are still considered attractive - or more attractive - when they get older.
I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture, and I became more dependent upon the young people in the office and my own children.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
It's about a young girl who will stop at nothing to be the valedictorian of her class. It's very dark and very wicked, but it's got a great part for a kid, and a great part for an older woman.
It was good, and nothing good is truly lost. It stays part of a person, becomes part of their character. So part of you goes everywhere with me. And part of me is yours, forever
You don't realize how much a part of your character is part of yourself until you are no longer playing that character.
My dad died when I was young. He was a good and decent man. There are a few things he would say that have just always stuck with me. He'd say, "Son, you're either part of the problem or part of the solution." Well, regrettably, President Obama has become part of the problem, and Mitt Romney is the solution.
Narcissism is a fact of life - it's a natural part of growing older, right? It's a part of your development. So being angry about the younger generation being 'narcissistic,' that's like saying 'Oh, this young generation only wants to poop in their diaper! They don't want to use the bathroom!'
My first part in a play was one of the witches in 'Macbeth.'
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't' want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break. You'll be offered the "lead" in this new hot film with such-and-such A-list director, "a fabulous part" - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
Ice dance was a part of my life from a young age. My older brother ice danced and like many younger brothers, I wanted to follow in my older brother's footsteps.
Kristina [Klebe] plays her character [in Don't Kill It] pretty straight, and because my character's so crazy and colorful, it works quite well. Kristina really loved the part, so she was very accommodating and willing to explore it and work hard.
A man was meant to be doubtful about himself, but undoubting about the truth; this has been reversed. Nowadays the part of a man that a man does assert is exactly the part he ought not to assert - himself. The part he doubts is exactly the part he ought not to doubt - the Divine Reason.
A young apprentice applied to a master carpenter for a job. The older man asked him, "Do you know your trade?" "Yes, sir!" the young man replied proudly. "Have you ever made a mistake?" the older man inquired. "No, sir!" the young man answered, feeling certain he would get the job. "Then there's no way I'm going to hire you," said the master carpenter, "because when you make one, you won't know how to fix it.
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