A Quote by Lawrence Osborne

At the end of the 18th century, a young British explorer named George Bogle became one of the first Westerners to penetrate the mysterious and reclusive realm of Druk Yul, or 'Dragon Land.'
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
In England, the population explosion can be linked very clearly with the enclosure of the commons that uprooted the peasants from their land. In India, it was the same thing: the population increased at the end of the 18th century when the British took over and Indian lands were colonized. Instead of the land feeding Indian people it started to feed the British empire. So we had destitution. Destitute people who don't have their own land to feed themselves can only feed themselves by having larger numbers, therefore they multiply. It's the rational response of a dispossessed people.
I was named after Yul Brynner because my mother had an infatuation with him. Who the hell names a Cuban kid Yul? Talk about a torturous childhood.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
There's such a wealth of literature from the 18th century and 19th century, George Eliot... Jane Austen... that's all about a genteel high society, relationships, all of that stuff. There wasn't ever really, apart from Dickens, a literary evocation of working class life.
Thanks to the unprecedented reach of British navigation, London in the early 18th century was not just the emporium of the world, it was the first place in which it was possible to assemble artifacts from around the world and allow people to study them.
If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.
The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.
The United States may have retained more of the intellectual imprint of the British 18th century than Britain itself.
Yule—Yul log for the Christmas-fire tale-spinner—of fairy tales that can come true: Yul Brynner.
Savagery was a word that Westerners used to, again, to consciously differentiate them from non-Westerners, to assert that superiority, that cultural superiority. It goes back to the British Empire, and again, you know, what was the purpose of the British Empire? To bring civilization to the savage no matter where they were, whether it was India or Asia or Australia or whatever. It's that civilizing mission that characterizes so much of the history of Western colonialism.
I was named first-team Jersey Shore by the Asbury Park Press, the paper I used to deliver as a young boy. I got to Houston and Coach Williams invited me to walk on the golf team. I was the 18th man on an 18-man golf team.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
If you lived in 18th-century England, you probably lived in a village, worked on the land, and your greatest fears were probably dying in a famine or of disease or in a war.
At a young age, I became interested in space and science after watching the U.S. land on the moon for the first time.
It would be exciting to take part in what we now call the Enlightenment at the end of the 18th century, but with modern dentistry.
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