A Quote by Lawrence Wright

The ideal 'New Yorker' profile is a person, an interesting person, at a critical point in his life. — © Lawrence Wright
The ideal 'New Yorker' profile is a person, an interesting person, at a critical point in his life.
Jeremy tried to be an interesting person. The trouble was that he was the kind of person who, having decided to be an interesting person, would first of all try to find a book called How to Be An Interesting Person and then see whether there were any courses available.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
If you introduce person A to person B, and then person B is able to solve a pain point in his life, then you just made a good connection.
Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.
I'm constantly saying, 'I read a fascinating article in 'The New Yorker'... ' I say it so often that sometimes I think I have nothing interesting to say myself, I merely regurgitate 'The New Yorker.'
As a teenager growing up in Europe, I embraced the romantic ideal. For me, I had to give up the ideal that one person would be there for everything. Once you give up that ideal, then you begin to accept the person that you are with - the person who won't be able to give you everything and who won't be able to know exactly what you want and feel without you even needing to say it.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
Generally, the biopics are made on the personalities about whom much is not known. But if someone who is already popular and everyone knows about his life then I don't see a point in making a biopic on his life unless you are telling something new about that person.
You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.
The only person who succeeds is the person who is progressively realizing a worthy ideal. That's the person who says, 'I'm going to become this' and then begins to work toward that goal
When I worked with various healers of one kind or another, very often what came up was that there was an "inner" person who was controlling what was going on in the life of the "outer" person, who thinks he's in control of his life. That inner person has a vested interest in keeping the person from getting well, so the healing doesn't take place.
Success: The successful person is willing to do what the unsuccessful person is not willing to do. Draw a profile of success in whatever you are choosing to improve. If you are willing to do what that profile demands, then you have a credible demand of success. If you are not willing to do that then it just will not be there for you. You can't have the one without the other.
For most visitors to Manhattan, both foreign and domestic, New York is the Shrine of the Good Time. "I don't see how you stand it," they often say to the native New Yorker who has been sitting up past his bedtime for a week in an attempt to tire his guest out. "It's all right for a week or so, but give me the little old home town when it comes to living." And, under his breath, the New Yorker endorses the transfer and wonders himself how he stands it.
A buddha laughs too, but his laughter has the quality of a smile. His laughter has the feminine quality of grace. When an ignorant person laughs, his laughter is very aggressive, egoistic. The ignorant person always laughs at others. The contented person, the person who knows life a little, laughs at himself - at the whole play of life itself. It is not addressed to anybody in particular. He just laughs at the absurdity of it all... the impossibility of it all.
When we enter a new situation in life and are confronted by a new person, we bring with us the prejudices of the past and our previous experiences of people. These prejudices we project upon the new person. Indeed, getting to know a person is largely a matter of withdrawing projections; of dispelling the smoke screen of what we imagine he is like and replacing it with the reality of what he is actually like.
Every time one person chooses a new way to respond to the challenges of life, each time an individual chooses a new option, that person then becomes a living bridge for all the others who choose to follow in that person's path.
This site uses cookies to ensure you get the best experience. More info...
Got it!