A Quote by Laurence Fishburne

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
I like to make movies the way people made movies in the '70s, where they lived and died with these stories, and cared about them, and went to war for them, and they all said something they wanted to say.
As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
In seventh grade I gradually became aware that that quickness of feeling was something I was supposed to have outgrown. I was rather guileless, I think, or at least I was when it came to the people I cared about.
Acting was something I did growing up. I never it took it too seriously; it was just one of those things I got into high school and was like, 'Nah, I don't want to continue acting.' Cause I got into it professionally by local theater, and from there, I just decided to do sports and be more a high school kid and have my fun.
I remember thinking Democrats and liberals were the good guys. They cared about the little guy. They cared about poor people. They cared about minorities.
I am one of those sort of "lesser" types, those sensitive types, those people who wouldn't have made it on their own if other people hadn't helped them. A straightforward capitalist society would've cut them off and let them die. So I was saved by my friends and by my family and by people who cared about me, and by modern psychotherapy that cared about women.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
I really enjoyed being on movie sets, and I had fun with the people, but I didn't really think about acting or care, or I didn't think I cared about acting.
My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.
My parents were both Democrats and I grew up as a Democrat. Basically I was told that the Democrats were the party that cared about people. I liked people and I cared about them, so I was a Democrat.
Most of the movies that I've made that I really felt good about and cared about made very little money anyway, so I'm not particularly worried about people downloading and sharing them.
I had a wife and children. I was mostly working in painting and decorating and then taking the occasional acting job as they came along. At that stage in your life you have to think about your priorities. It looked like I was going to have to take the building more seriously and give up acting.
We are all healers of each other. Look at David Spiegel's fascinating study of putting people together in a support group and seeking that some people in it live twice as long as other people who are not in a support group. I asked David what went on in those groups and he said that people just cared about each other. Nothing big, no deep psychological stuff-people just cared about each other. The reality is that healing happens between people.
One of the main things that differentiates them [artists of 70s] from artists before is that they made albums based on the fact that they didn't care about the band as a thing in its own right. They cared about manipulating the recording and that became the album.
Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.
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