A Quote by Lou Barlow
With every performance I just feel more energized somehow. Like, this is how I exercise! This is how I feed my ego, by playing this loud rock music.
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You can feel how the audiences react. For us, it's about the performance and the reaction. We feed off the energy. And no matter how enthusiastic they are, we can tell if we're playing well or not.
For me, science is just a bunch of tools - it's like playing the violin. I just enjoy calculating, and it's an instrument I know how to play. It's almost an athletic performance, in a way. I was just watching the Olympics, and that's how I feel when proving a theorem.
Our ego is a monster that loves to sit at the head of the table, and I have learned that my ego is just as rude and loud and hungry as everyone else's. It doesn't matter how much you get; you are left wanting more.
I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens.
In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.
The ego isn't wrong; it's just unconscious. When you observe the ego in yourself, you are beginning to go beyond it. Don't take the ego too seriously. When you detect egoic behavior in yourself, smile. At times you may even laugh. How could humanity have been taken in by this for so long? Above all, know that the ego isn't personal. It isn't who you are. If you consider the ego to be your personal problem, that's just more ego.
I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
With all the movies and stuff that we do, it always does feel like this is our home base when Nat and I are playing music. Because we do acting, and that's so fun, and we do it, and we're really passionate for it, but when I'm playing music with Nat - I don't know how to really explain it - it just feels right.
Rock's gone soft, it's gone miserable and boring, there's not really much exciting about it. So it's important that we cross over, because we feel like we belong more in a place where people just like music and it's not about how heavy it is.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
As the years go by, I realize how unique a style rock music is and how delicate you have to be with it sometimes; otherwise, you turn it into pop music or progressive rock or something else.
I think people have a clear idea of my style of music I want to do, which is rock, but it's not heavy rock. It's more rock that is feel good and makes you feel something, whether or not that's heartache and pain or it feels like a celebration.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
"Understand the process of the ego. How does the ego live? The ego lives in the tension between what you are and what you want to be. A wants to be B - the ego is created out of this very tension. How does the ego die? The ego dies by you accepting what you are. That you say, "I am fine as I am, where I am is good. I will remain just as existence keeps me. Its will is my will."
I think pure country music includes rock and roll .. I've never been able to get into the further label of country-rock .. how can you define something like that ? - I just say this: It's music. Either it's good or it's bad; either you like it or you don't
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
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