A Quote by Lou Barlow

When I was a teenager, my mom got me a really nice baritone ukulele. — © Lou Barlow
When I was a teenager, my mom got me a really nice baritone ukulele.
If you put heavy, regular classic guitar strings on a baritone ukulele, it gets pretty low. It has a really nice, low, warm feel to it.
I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
Bill Gates recently picked up the ukulele. And Warren Buffett is a huge ukulele fan. I even got to strum a few chords with Francis Ford Coppola. It blows my mind that these people, who have everything in the world they could want, have picked up the ukulele and found a little bit of joy.
When I was 19 I went to art school. I had six months of teaching myself to play baritone ukulele under my belt so I was sort of a novice folkie... I was singing folk songs at that time.
I don't spend a lot of time online. My mother's really good at picking out if she sees a really great review, and she'll forward it to me. She's like my little Internet filter. It's always nice to see something going up; if I want to find something on Nathan Fillion, I do know where to look, but I've got a nice little delivery system in my mom.
I play the ukulele. I have a great group of friends, and we do things like have battles of the bands - me sometimes on ukulele, but mostly on drums.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
Growing up, the ukulele was always a respected instrument. It's a big part of our culture. It wasn't until I started traveling outside of Hawaii that I realized people didn't really consider the ukulele to be a real instrument.
For me, the first thing is script. When I heard 'Mom''s script, it really touched me and moved me. I felt really nice about the story. That's the reason I did the movie.
Me: "If you want me to be a teenager, don't send me to Support Group. Buy me a fake ID so I can go to clubs, drink vodka, and take pot." Mom: "You don't take pot, for starters." Me: "See, that's the kind of thing I'd know if you got me a fake ID.
I didn't know anything about fashion. You would see me in the biggest sweater with jeans or the tightest elastic pants. Not nice clothes. My mom took me a lot to consignment stores when I was younger, and I never really got to go to fancy high-class stores, so... vintage was like a step up.
I was always mimicking high-register singers as a kid but I also studied operating as a baritone because I'm a natural baritone.
I remember I asked my mom for a ukulele, and she said no because she thought I would never play it. So then I got my birthday money up, and I bought my own. It was the most rebellious thing I've ever done.
I have a nice house, nice cars, nice watches, nice things. I've got money in the bank. I'm not in need of a few quid - as it stands. It's all irrelevant to me.
I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.
My dad emphasized athletics. My mom did as well, but my mom was really hard on the academic end of things and always stressed, 'Hey, you've got to have the grades, you've got to be prepared for life outside of sports.'
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