A Quote by Lou Gerstner
I don't want to use the word reorganization. Reorganization to me is shuffling boxes, moving boxes around. Transformation means that you're really fundamentally changing the way the organization thinks, the way it responds, the way it leads. It's a lot more than just playing with boxes.
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Reorganization to me is shuffling boxes, moving boxes around. Transformation means that you're really fundamentally changing the way the organization thinks, the way it responds, the way it leads. It's a lot more than just playing with boxes.
If you were to come in to my house, I have archived every fan letter I've ever been given, boxes and boxes and boxes and boxes of them.
And the people in the houses All went to the University And they got put in boxes Little boxes all the same, Little boxes all the same, Little boxes all the same, Little boxes all the same And they all come out all the same.
Ninety-eight percent are boxes, which tells me that a lot of people are in denial. We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, "This is the world the way it is, and don't bother me." Then when somebody does something different, real architecture, the push-back is amazing. People resist it. At first it's new and scary.
We put limitations on the way that we think about things, on ourselves, think about all the boxes we live in, male or female, you're this age, that age, this is your job, this is not your job, everything is about getting boxed in. I think we accept a lot of those boxes, that labeling, and the way that we perceive the world, but what even is perception? It all seems pretty flexible to me.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.
Little boxes on the hillside, Little boxes made of ticky-tacky, Little boxes on the hillside, Little boxes all the same.
People have to talk about something just to keep their voice boxes in working order so they'll have good voice boxes in case there's ever anything really meaningful to say.
Everything made by human hands looks terrible under magnification--crude, rough, and asymmetrical. But in nature every bit of life is lovely. And the more magnification we use, the more details are brought out, perfectly formed, like endless sets of boxes within boxes.
It follows that acceleration in the rate of change will result in an increasing need for reorganization. Reorganization is usually feared, because it means disturbance of the status quo, a potential threat to peoples vested interests in their jobs, and an upset to established ways of doing things. For these reasons, needed reorganization is often deferred. With a resulting loss in effectiveness and increase in costs.
Labels put people in boxes, and those boxes are shaped like coffins.
God is always bigger than the boxes we build for God, so we should not waste too much time protecting the boxes.
It's like before my wife and I moved. Our house was full of boxes and there was a U-Haul truck in our driveway. My friend comes over and says Hey, you moving? Nope. We just pack our stuff up once or twice a week to see how many boxes it takes. Here's your sign.
I remember [in teenage years] thinking there were a lot of check boxes out there to sort teens into appropriate molds, and they didn't seem to make check boxes for whatever it was that I had grown up into. I definitely explore that a lot in my novels.
I have a lifetime project which consists of boxes and boxes filled with envelopes on which people have written my name. I've always thought of it as a kind of double portrait, and a portrait of our relationship, which in some cases means nothing. But it makes me feel connected.
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