A Quote by Lou Diamond Phillips

Sidney Poitier, who is class personified, said: 'Lou, you're a leading man because you're a good actor.' Brought tears to my eyes. — © Lou Diamond Phillips
Sidney Poitier, who is class personified, said: 'Lou, you're a leading man because you're a good actor.' Brought tears to my eyes.
Sidney Poitier, who is class personified, said: Lou, youre a leading man because youre a good actor. Brought tears to my eyes.
I starred in a Broadway play that was Sidney Poitier's first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations.
Every year, Hollywood is looking for that new, white leading man and new white starlet that audiences fall in love with. But they're not looking for the next Denzel Washington, Will Smith or Sidney Poitier.
My first love was acting. I went to Sidney Poitier films as a kid. I sat in the theater and dreamed of being an actor.
One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.
I started with Sidney Poitier and Ruby Dee and Lou Gossett, Jr. and the rest of the wonderful cast of 'A Raisin In The Sun.' We were directed by the great Lloyd Richards. The play was written by the wonderful Lorraine Hansberry, and it was produced by Phil Rose. That's where my start was, so... not a bad way to start.
Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.
I took one thing to heart that I heard from Sidney Poitier in 'Guess Who's Coming to Dinner.' And it resonated so much with me. He says: 'Dad, you always looked at yourself as a black man. I look at myself as a man.'
For an actor to be working at all is a kind of miracle, because most actors aren't. So it's just silly for a working actor to say, 'Oh, I don't care if anybody knows I'm gay' especially if you're a leading man. Personally, I wouldn't advise a gay leading man-type actor to come out.
After twelve years of therapy my psychiatrist said something that brought tears to my eyes. He said, 'No hablo ingles.'
Tom Brokaw has friends who are actors, and yet he feels that, as bright as they are, they are not articulate. So he said how astonished he was that Sidney Poitier, with whom he'd just taped an interview, had been so articulate.
My style icon has always been Sidney Poitier.
Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
Probably no one here knows I coached a football team - a service team - playing against Georgetown. I think it was in the fall of 1924 Lou Little was your coach, and he beat us. But it was a very happy circumstance, because it brought me the friendship of another man, Lou Little, who to this day remains my very warm associate and friend.
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