A Quote by Louise Erdrich
I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.
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Joe and I have always been drawn to ensemble storytelling. We like the idea of telling stories from multiple characters' points of view and thinking about the story from multiple characters' points of view.
We'll always need printed books that don't mutate the way digital books do; we'll always need places to display books, auditoriums for book talks, circles for story time; we'll always need brick-and-mortar libraries.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.
The stories that confirm that bigger story are brought in and easily digested. But there's another set of stories that are always there, which do not confirm, but which complicate and contradict what we think we already know. And I'm always attracted to that. There doesn't seem to be much of a market for it. Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.
You know, I'm a total perfectionist, and I labor over trying to get things right. Whether we're putting together an opening for the Masters broadcast or when I was writing with my friend Eli Stillman a book about my dad called 'Always By My Side,' I'm always trying to find a way to do something better.
Putting two songs together, I've always loved that trick when it works.
I get really flowery and verbose in my adult books, but I don't think I dumb down my Y.A. It's just cleaner and more snappy. And the adult books have multiple points-of-view. In my Y.A., it's always third person from the main character's perspective.
I view myself as someone who is always trying to make life better in practical ways and putting the pieces together to do that.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
If you just read Joseph Campbell, who has written amazing books on mythology and religion, they all do come together at some point. There are some of the greatest stories that there have ever been in the Bible. All you have to do is read the book of Maccabi, it's like a film script.
I'm always working on a few different stories at once, so there's always some really big coffee table book I'm carrying around.
I have always tried to do my job in a way that I have people give me different points of view.
The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.
As a kid, I always loved serialized books. It’s the reason why people love Harry Potter. Serialization is amazing. It works in television. It works in film and it works in books. Especially when you’re a young kid, you get attached to these characters.
As a kid, I always loved serialized books. It's the reason why people love 'Harry Potter.' Serialization is amazing. It works in television. It works in film and it works in books. Especially when you're a young kid, you get attached to these characters.
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