A Quote by Lewis Capaldi
I have been gigging around Glasgow and Edinburgh since I was 12. I played in pubs at that age, even though I obviously was too young to be in them. So I used to hide in bathrooms, come out and play my set, then get the hell out as quickly as possible.
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I like living at home: I've been making films since I was 12, when I played Sam in 'Love Actually', and if you spend as much time away on set as I have done, you get your independence young, so it's nice to come back home.
Too many actors try to get too much out of scenes that they ought to be leaving alone, just doing them quickly and getting the hell out.
I'd been gigging since I was 14, doing little competitions and pubs and clubs and old people's homes.
I lived in a small village outside the city and grew up in a large family, so my world was very much centred around that. I used to sing in the local church, and I would also occasionally sing in the local pubs for which I used to get a few bob. That, for me, was the start of my interest in music, which has obviously expanded since then.
I'm drawn to real-life characters. A lot of the characters I play, I've had in me since second grade. I've been dragging them around my entire life, and then sometimes I marry them with different people. But seldom have I really come up with a new character. In my head it's like, "I'll pull that person out that I've been doing since sixth grade and see where they're at right now.".
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
In the two books I wrote, even though they were written in a sort of Joycean gobbledegook, there's many knocks at religion and there is a play about a worker and a capitalist. I've been satirising the system since my childhood. I used to write magazines in school and hand them around.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
I sit around for ages waiting for inspiration. Then when I get an idea, I want to go with it and get something as quickly as possible. It's like catching a fly in a bottle. I'll play with drums for a bit, then the piano for a bit, play the guitar.
I love tennis. I've played it my whole life. Loved it since the age of three. I had an injury, so from the age of 13 to 24 I didn't play much. Then when I moved out to L.A., there were so many tennis courts that I rekindled the love.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
Blaming the imperialists nowadays is obviously absurd, as is blaming the Americans, who obviously don't have the slightest desire to control anything in the Middle East. The American desire is to get out as quickly as possible and the general view is that now that the Cold War is over and the Soviets are no longer a problem, we have no reason to stay there, let's get out. They will have to confront their own problems. Israel provides a useful scapegoat but it's a limited one.
I grew up in Edinburgh, but my dad's from Glasgow, and my mum's from Chingford in Essex, and I spent time in Ireland, too, so I was always somebody who absorbed accents. I would come back from visits, very much to the annoyance of friends and family, with an accent based on where I'd been.
The scaffolders and builders from demolition companies nearby used to play each other for 20 quid a man - the tackles were mad. I played for the local estate against them one day and we won, there was a full-scale riot. 'He's a ringer' they were saying. Half of them were drunk so I could get the ball and just run and around them - I was only 12!
It's football. You play football. You just play injured. That's how it is. A lot of it comes from my dad. He played for Hayden Fry University in the '80s. He used to tell me about the injuries he played with. One time he tore his ACL in Week 6 and then played in the Rose Bowl in Week 12. So, if he could do that, I can do anything.
My dad's a musician, and he taught me how to play when I was three, I think, so I've been playing ever since. It's something I've always done. And when you're really young, and you play music for people, people get really excited, so you get this inner sense that you are good at it, even though I've always been really not good at it.
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