A Quote by Landon Metz
I feel it's important, in presenting a work of art, that everything ends up serving a purpose. There are all these variables involved - large and small, obvious and ephemeral - and each has the potential to become an active, considered part of the work. So my goal is simply to approach each step as an opportunity to produce work that carries visual weight but retains this sense of openness and possibility.
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I liked that the work itself was something other than simply what you saw It meant you could have an art work which was that idea of an art work, and its formal components weren't important.
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Whenever you try to work through the things that we're trying to work through, that we're addressing, it ends up looking negative. Our goal is nonjudgment, nonfiltered acceptance of everything. So much of our background collectively, especially in the United States, is denying and suppressing and disowning a lot of negativity and the darker areas. You can become swallowed up in it. It's cancerous. The goal should be to define acceptance for everything. To try and consider every aspect. To try to look into the shadows, as well as the light.
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art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
