A Quote by Lubov Azria

Embrace an effortless a-line silhouette in the seasons must have indigo shades. — © Lubov Azria
Embrace an effortless a-line silhouette in the seasons must have indigo shades.
And is not time even as love is, undivided and paceless? But if in you thought you must measure time into seasons, let each season encircle all the other seasons, And let today embrace the past with remembrance and the future with longing.
As with any outfit, the primary elements of normcore are fit, color, and texture, all of which must match both normcore's loose silhouette, and at the same time, suit your body. Above all else, it's about comfort. So if it doesn't look effortless and easy, it's not normcore.
Many parks in Florida have information kiosks with colorful enamel signs showing the special flora and fauna in the park. The gopher tortoise, the scrub jay, the indigo snake. At no park with an indigo snake on its kiosk signs could I find an indigo.
Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
We must stop the division among us. We must stop factionalism. We must embrace unity; we must embrace working together, because if we are divided, we will not be able to win in 2019.
The language must be careful and must appear effortless. It must not sweat. It must suggest and be provocative at the same time.
We must remember there are different seasons in our lives and let God do what He wants to do in each of those seasons.
Indigo has a purifying, stabilizing, cleansing effect when fear, repression, and obsessions have disturbed your mental body. Indigo food vibrations are: blackberries, blue plums, blueberries, purple brocoli, beetroot, and purple grapes.
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
I love it when people come up to me and they say a line. Like, you know, 'My name is Indigo Montoya. You killed my father. Prepare to die.'
I could not have known then that everybody, every person, has to leave, has to change like seasons; they have to or they die. The seasons remind me that I must keep changing.
Hold on to your divine blush, your innate rosy magic, or end up brown. Once you're brown, you'll find out you're blue. As blue as indigo. And you know what that means. Indigo. Indigoing. Indigone.
Cooking is not effortless. To get a recipe that feels effortless is really hard.
Effortless [performance] and improvisation are two different things. Just because it's improvised doesn't mean it's effortless and just because it's effortless doesn't necessarily mean it's improvised.
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
Writers must be fair and remember even bad guys (most of them, anyway) see themselves as good—they are the heroes of their own lives. Giving them a fair chance as characters can create some interesting shades of gray—and shades of gray are also a part of life.
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