A Quote by Ludwig Wittgenstein

One of the most misleading representational techniques in our language is the use of the word 'I.' — © Ludwig Wittgenstein
One of the most misleading representational techniques in our language is the use of the word 'I.'
The use of language around drugs is really important. So we find that it's increasingly difficult in our society to find the word "drug" not connected to the word "abuse." The notion of a responsible use of drugs is written out in the language of our culture.
I believe that should is one of the most damaging words in our language. Every time we use it, we are, in effect, saying that we are wrong, or we were wrong, or we're going to be wrong. I would like to take the word should out of our vocabulary forever and replace it with the word could. This word gives us a choice, and we're never wrong.
Of all the time-saving techniques ever developed, perhaps the most effective is the frequent use of the word no.
I sing only in Meronian - my own language - but there are also elements of English and Finnish languages in our songs. When we use the spiritual Meronian language, the word 'international' doesn't do justice to our band. This kind of psychic language's means of communication can reach galaxies beyond our planet, not to mention the other living and inanimate entities of our own planet.
We depend on our words... Our task is to communicate experience and ideas to others. We must strive continually to extend the scope of our description, but in such a way that our messages do not thereby lose their objective or unambiguous character... We are suspended in language in such a way that we cannot say what is up and what is down. The word "reality" is also a word, a word which we must learn to use correctly.
I've never been a representational artist at all. Most artists have been representational. That's when you discover yourself.
I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.
Now the point of comedy is not just looking funny, it's use of language. We have at our disposal a great language... and the imaginative, creative use of that language can be at the service of humour.
When I write about animals, I use anthropological techniques and the language you would use for a person. You don't have to anthropomorphize animals, just acknowledge their individuality.
Even as a supporter of Roe v. Wade, I am compelled to acknowledge that the language both sides use on this subject can be unfortunately misleading and unconstructive.... Everyone is worse off for it.
I think I've got an Irish sensibility for language - I like how people talk. I'm not saying I've got it, but I'm obsessed with the way they use language, like they use a swear word very poetically.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
When philosophers use a word--"knowledge," "being," "object," "I," "proposition," "name"--and try to grasp the essence of the thing, one must always ask oneself: is the word ever actually used in this way in the language-game which is its original home?--What we do is to bring words back from their metaphysical to their everyday use.
To me, the most obscene word in our language is celibacy.
If we are not most careful with our thoughts and speech, the words we use will use us. Language has its own ethics, and one who communicates truth is like a bright light in the darkness.
Cure" is one of the most precious words in the English language. It's a short word. A clean and simple word. But it isn't so easy a thing as it sounds. There are questions like: How will this affect us in ten years? In twenty? What will it do to our children? Our children's children?
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