A Quote by Luke Pasqualino
I was quite young when I went to a drama workshop. I was around 9 or 10. I showed interest in it. I never saw it as a career. At around 16, I knew what I wanted to do.
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Thanks to my parents, who had me traveling around the world mouth-first, I knew from a young age I wanted a career in food.
I did some stage when I was a kid, around 16 or so. I was living in Melbourne and had a band. I was quite young. We weren't very good. Then I found a band in Perth. We played around for three years. We're in the 'History of Rock'N'Roll,' a book about Perth music.
I have an expression I use as I've gone around the world through my career: 'You never tell another man or woman what's in their interest. They know their interest better than you know their interest.'
Since I was 10 years old, I knew I wanted to sail around the world.
I've wanted to be a mother since I was 16, but I also just knew I wanted to have a career as well.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
I ended up getting kicked out of my house when I was 16, and I went off to college. When they actually saw that I was getting some kind of stability as far as having a career in this business is when they started coming around.
It's so hard when you're young to look at older people and understand that they have been where you are. It's the weirdest thing. You just can't get your head around that, can you? You can't get your head around the fact that someone who is 60 was once 16, if you're 16. But the fact is they have been, and they remember it.
Throughout my career, I've never really been a guy who created drama or wanted to deal with drama.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
I was 15 or 16 when I first saw 'Once Upon A Time In America,' so I was quite young, but I was completely blown away.
England Under 16, Under 17, Under 18, I played centre-half. But back then, David Moyes thought it was difficult to throw a 16-year-old in there. There was a big hype around me. He wanted me to fulfil my potential; he wanted to get me in as early as possible.
When I was 10 and 11, my dream was to be a boy. I saw that there were so many injustices that women had to live with around me. I didn't want to have that; I wanted to have the freedom that little boys had.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
We moved around so much when I was young. I was very shy, so shy that I would walk across the street if I saw someone I knew rather than deal with talking to them.
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