A Quote by Luke Treadaway
I used to go to the supermarket dressed as Peter Pan when I was about five years old.
Related Quotes
I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'
When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.
I dressed like Leslie Caron as a teenager: soft school pleats, Peter Pan collars.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
I live in Surrey, but up until the age of eight I lived in London. And the way I heard about this 'Peter Pan' film was there was an open-call audition that I'd heard about, or read about, and I just thought, 'Oh, I'll go along for the fun.' Because I never dreamed in a million years I'd ever get it.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
If you're traveling for five years or something like that, you're going somewhere. But five years are being used up, and you don't have to do anything. You just sit on the plane. That might make time go really fast.
There are two metaphors for Mario the person and not Mario the footballer. I think I am a man, but I don't believe I need to say it. But I could also be Peter Pan because I do things my own way and I am free. So, yes, maybe I should say that I am Peter Pan - although I am much more of a man.
[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.
I worked with Kathy Rigby, and it's a concept called 'Peter Perry': it's all of Katy Perry's songs telling the story of Peter Pan. Kathy was so sweet, and it was such a cool experience to meet her and work with her and use the set that I had watched on television for so many years.
I think the film [Aquarius] comes from that original feeling I had 18 years ago, when I was in a São Paulo supermarket. I was in line to pay for something, and when I looked up, I saw the little windows of a projection booth. That's when I realized the supermarket used to be a movie theater. They didn't even bother to change the walls. Years ago, "The Sound of Music" could've been playing in that space.
I used to have a lot of recurring dreams about Captain Hook when I was a little kid, which I remember very vividly. But I think I just really liked Peter Pan a lot, and 'Hook' was my favorite movie.
I don't like to go beyond modernity because you think girls might be like that in five years, but in five years what I see now is going to be old; we are always going to go somewhere else. You have to bring a few novelties within what will remain.
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