A Quote by Luc Tuymans
When critics or art historians or curators ask me why I still paint, the answer is that I am not naive.
Related Quotes
I learned more from my mother than from all the art historians and curators who have informed me about technical aspects of art history and art appreciation over the years.
Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I can never understand why people who have not seen me for a while ask if I am still writing. They might as well ask me if I am still breathing.
I am still so naïve; I know pretty much what I like and dislike; but please, don’t ask me who I am. A passionate, fragmentary girl, maybe?
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.
I think a single sentence by Van Gogh is better than the whole work of all the art critics and art historians put together.
I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.
When people ask me why I am running as a woman, I always answer, 'What choice do I have?'
Everyone needs to realize why am I here? It comes in everyone's life; you ask why am I here? What am I doing? Once you are able to answer that question for yourself honestly, you have smooth sailing.
When you face adversity . . . don't' ask: Why does this have to happen to me? Why do I have to suffer this, now? What have I done to cause this? Rather ask: What am I to do? What am I to learn from this experience? What am I to change? Whom am I to help? How can I remember my many blessings in times of trial?
I've been covering the art industry for nine years, and I still don't feel like I have a clear grasp on what an art consultant does. What's the difference between a dealer and an art consultant? Who are they? What's their day to day like? So I asked a few private dealers, consultants and curators to talk about what they do. Everyone told me a different story.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
We ask ourselves all kinds of questions, such as why does a peacock have such beautiful feathers, and we may answer that he needs the feathers to impress a female peacock, but then we ask ourselves, and why is there a peacock? And then we ask, why is there anything living? And then we ask, why is there anything at all? And if you tell some advocate of scientism that the answer is a secret, he will go white hot and write a book. But it is a secret. And the experience of living with the secret and thinking about it is in itself a kind of faith.
I learned, when hit by loss, to ask the right question: "What next?" instead of "Why me?" . . . Whenever I am willing to ask "What is necessary next?" I have moved ahead. Whenever I have taken no for a final answer I have stalled and gotten stuck.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
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