A Quote by Luke Evans

The first time I was flown to L.A. for a screen test was an incredibly nerve-racking experience. — © Luke Evans
The first time I was flown to L.A. for a screen test was an incredibly nerve-racking experience.
I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York - New York helped give me my first big break.
It's a surreal experience. During the first show, I was like, "Wow, I'm onstage with Ms. Tyson!" Everybody has been amazing, and the energy is really beautiful. I'm replacing my friend Condola, so everyone making sure that I'm OK has turned what could've been a very scary, nerve-racking and lonely experience into a supportive environment.
Competition can be the most nerve-racking experience. Some people just thrive on it.
I made my career off posing in swimsuits and doing all the swimsuit issues and posters, but I will tell you that that little bit of material on an itsy-bitsy bikini - taking that off was very nerve-racking the first time.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
The red-carpet spotlight is a little bit more nerve-racking when you haven't been doing it all the time.
The first laugh is always key. I've done some improv stuff. Once you get your first laugh, you're good. Up until that point, it's a little nerve-racking.
I don't love performing, because it's nerve-racking and it's time - consuming to rehearse a whole set - and my time can often be better served writing music and just making it and putting it out.
I did my first Broadway play, 'The Vertical Hour,' in 2006, with Julianne Moore, who's always been one of my favorite actresses. My scene was with her, so it was nerve-racking.
I think the first couple of times you do make-out scenes, you psych yourself out and it's really nerve racking.
My very first audition was on the lot of Paramount, and I was put on tape and it was very nerve-racking. I think it was about 15 pages.
It's not bad to stand in front of 20,000 people and sing. It's nerve-racking, a huge adrenaline rush, but it's also very exciting, and not many people get to experience that. It's pretty special.
Auditioning is so nerve-racking.
I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.
Changes in my personal life are nerve-racking for me.
I find acting slightly nerve racking, but I like the challenge.
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